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Reading and Leeds: The Good, The Bad and the Ugly

With Reading and Leeds festival finally coming to a close this week, with ample amounts of music lovers flocking to our festival fields once more, it was hugely gratifying and humbling to see the love of UK music return – almost as if the last 12 months just didn’t happen. But with the festival amidst the end of a pandemic, it comes with hesitations.

What was the ratio from men to women in artists performing and why was it so disproportionate to gender? Amidst the rumours followed, why wasn’t COVID ruled as important and encouraged with regular checks? With live music set to return in full swing, it is imperative that we still understand that the virus is still active and prompt on our shores.

But we mustn’t ruin the party, as it was a roaring success of live music and made us really miss it all throughout the lockdown. More so than most. It takes us all back to when times were normal and enjoying ourselves at a music festival was seen as simply fun and not a moral obligation to test crowd control and vaccine efficiency. It was so nice seeing so many fond memories being made, when all we wanted to do for the past year was forget. Hopefully, this gives us a fantastic insight into always looking forward now and revitalising our future. Thanks R+L, til next year!

By manvmusic

In one of the most controversial, ever-changing and unpredictable industries, join my rants and ravings as I dissect the music industry word by word through technology, current events, industry stories and problems.

2 replies on “Reading and Leeds: The Good, The Bad and the Ugly”

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