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Project Revitalise: More than a third of UK music industry workers lost jobs in 2020

The number is 69,000 in total. Due to the crippling financial devastation that COVID caused on the music industry and UK Music, it’s certainly Project Revitalise for our music industry as we long for the return of the numbers we once pre-COVID in 2019.

With hundreds of festivals and music events cancelled and/or postponed – with no valid insurance scheme to fall back on – a wave of job losses surged through with the uptake simply being too much for small to medium promoters and event organisers.

As predicted, the slump was hit the hardest with the live music sector which saw revenues collapse overall by 90% to a mere thousand pounds.

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“We have listened carefully to UK Music’s arguments about a market failure regarding events insurance,” said Nadine Dorries, the culture secretary. “The UK music industry is one of our country’s great national assets, and I give my commitment that the government will continue to back it every step of the way.”

That may be all well and good but with many insurance schemes and crisis funds coming far too late for many, will a financial release from the Government be enough this time around?

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Our music industry is slowly beginning to revitalise itself with the mass sprawls of major festivals returning, international artist tours rekindling music venues and with it, comes the investments of music consumption. But revitalisation as always, starts with you. What will you do to help our UK music industry?

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Coldplay: Is an “Eco-friendly World Tour” a Pointless Expedition?

In a new universal chapter of sustainability for the band, Coldplay are set to go ahead with their first world tour in five years next year all part of their eco-friendly plans of reducing their carbon footprint as a music collective.

But … why even tour at all?

That’s the question. Recently, Chris Martin confessed that this was the ulterior backlash that they’ve been receiving since announcing this tour. Much to the satisfaction of those doubters, he answered quite simply, because he wants to. Which, much to the bemusement of others, I totally get. It’s been over five years since they last toured and the true connection you can feel between band and fan in a live setting is a fantastic moment that they sorely wouldn’t want to miss for another few years.

Besides, huge musicians do not even attempt to be eco-friendly or even remotely sustainable when they do their own world tours, so I say I’m all for it if bands wish to try it out.

Despite the band still travelling in their own private jets – which is, slightly ironic – Martin has informed us all that us as fans will be on “kinetic flooring,” which basically means that we’ll be powering the gig – lights and all – ourselves with our frantic movement and fanatic screaming.

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“The more people move, the more they’re helping. You know when the frontman says, ‘We need you to jump up and down’?

“When I say that, I literally really need you to jump up and down. Because if you don’t, then the lights go out.”

– Chris Martin

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For a carbon neutral tour tackling climate change, they also plan to:

  • provide best environmental practices like installing aerated taps and low-flushing toilets.
  • Set itself will be made of materials with perfect environment credentials like bamboo
  • Lighting effects have been “modified” to be more energy efficient
  • An app will allow fans to plan their journey with lowest possible emissions – and even get a discount code to use in the venue if they follow through with it.
  • The big ticket: Coldplay themselves will plant a tree for every ticket sold. Based on their last tour, that would work out to be 5.4 million trees around the world.

With it being a truly “atmospheric” and “ethereal” album set to be released tomorrow by the name of Music of the Spheres, the eco-friendly tour will hopefully reflect the true idealism of the album when the guys created it.

The tour is set to start in March next year in Costa Rica, a country which is known for the highest rates of renewable energy generation across the world.

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Your Next Artist: Too Many Zooz

An origin story for the ages. A cacophony of interloping saxophones, trumpets and low bass growls of whatever else. A perfect audio salad.

Derived from the hustle of bustle of New York’s subways busking to the delights of the uninterested congregation of the capitals’ inhabitants and commuters, Too Many Zooz bring a phenomena to the world of music that is nothing but a joyous occasion to get involved with.

Essentially, they smash alternatives of jazz, funk, Afro-cuban rhythms and EDM house music to bring a new eclectic style of the weird and wonderful. Refreshingly chaotic, they have trawled from the steeples of New York’s subway system to the glorious ground-level venues across a tour of Europe in May 2022.

With this tour, comes a huge following of admiration and fanatic frenzy ever since they first uploaded to the world of YouTube. Charting millions of views with their brazen public performances, they are certainly a force to be reckoned with – and it looks like they have no intention of slowing down anytime soon.

Escapades of Warriors, Pink Yesterday and Subway Gawdz bring with it a crisis on our hands. Why on Gods green Earth is there no other bands like this? Thank God for Too Many Zooz.

So. damn. fun.

http://toomanyzooz.com/

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Red Hot Chill Peppers and their Return to Music

In a brazen news media “frenzy” announcement plastered across social media, Red Hot Chilli Peppers have declared their return to the industry with a mass European and American tour in 2022 – with new music undoubtedly on the way, too.

With John Frusciante returning to the guitarists’ helm, the question is – will you make the effort to go see them live?

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Let’s Talk: What was your favourite music from the 2010s?

After having a little time to myself after work, I decided to do a little insatiable digging and scouring into the past works and creations of what we saw in terms of music in the 2010s.

After an unwilling acceptance of enjoying chart music a little too much when I was younger, I thoroughly enjoyed the pump-it-loud electronica r’n’b music of Black Eyed Peas, bleary-eyed MIKA and eventually my evolution of indie music with Foster The People’s Pumped Up Kicks.

I always love venturing down a music wormhole of past pleasantries and gander into what my music tastes used to be like during my childhood.

And by God, how much has it changed. Now, I have no idea who enters the charts at one point during the week. It’s a world of unknown and now, a minimal disdain for all things popular music. Bleurgh.

What are your favourites of the 2010s?