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Let’s Talk: Do you listen to the radio anymore?

As our attention spans falter, and our music preferences irate, we’re finding new ways to divulge into our music via streaming services and sheer ease of access.

It seems that the radio’s playthrough preferences and inane adverts are being cut out of our music listening as we crave for the instant.

Now, whether we listen more to radio in the car, or in businesses where we have no choice, radio has and is a crucial part of the music industry and how we consume music – radio is a fantastic way of sharing with the creative communities and represents our love for music in a concept that is enjoyable and delectably consumable.

Despite everything, radio is a service we can’t really get with any other music consumption platform and is unique. Not just to its audience, but to its artists the stations play.

Whatever side you’re on, let me know! Radio or Radi-NO?

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Latitude Festival: First Major Festival since ‘Freedom Day’

Campers for Latitude festival are set to prep camp and arrive today at Henham Park in sweet anticipation for Latitude Festival this weekend (22nd to 24th July) – the first major festival in the UK to go ahead since ‘Freedom Day’ on Monday for COVID restrictions.

Announced as the Government’s Event Research Programme, the 35,000-capacity is set to go ahead this weekend, as thousands flock in droves to see the likes of Bastille, Bombay Bicycle Club and The Chemical Brothers headlining.

In order to gain entry to the festival, which runs until Sunday (July 25), ticket-holders will be asked for proof of a negative lateral flow test taken within 48 hours of arrival at the festival, or proof of full vaccination with the second dose having been received at least 14 days prior to the first day of attending the festival. As a test event – it can go ahead with no social distancing requirements.

With this, where many are unsure and doubtful of such festivals going ahead in such vast quantities, many people are loathing at the prospect of missing out, and seeing live music come back in such large volumes again.

What a test event means for COVID:

<a class="wp-block-button__link" href="<!– wp:paragraph –> <p>What a test event means for COVID: https://www.bbc.co.uk/news/uk-england-suffolk-57895625</p&gt; !!RETURN OF LATITUDE!!

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Hopefully, this is the first of many (test) events that will help provide ample funds to the music industry that so desperately needs recovering from the swollen pit it has fallen itself into.

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Artist Spotlight: Badflower

Committing blood, soul and mind to their art, Badflower are a cathartic Los Angeles-bred quartet that you require to be on your rock radar.

Hailed for their triumphs of their debut album, OK, I’M SICK in 2019, their rock stardom catapulted to them to unimaginable scenes, as they achieved commercial success with their hauntingly powerful punches of Ghost, Heroin and The Jester.

The confessions of musicality are in droves as the album implores the discussion of sleep, sex, sadness, mania and pain in doses of hot flashes. Relevant, fresh and fresh, Badflower are continuing to be the thorns in our side as the rock powerhouse we have to listen to as part of our rock ritual.

Recent releases of 30 and Family in 2020 has allowed them to clock up to 280 million streams collectively, and they only plan to go further with their music.

Even if you don’t believe the hype as such, be sure to not miss it – because you can be sure you will. I almost did.

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Tyler, The Creator – CALL ME IF YOU GET LOST: Album Review

A true connoisseur, Tyler The Creator has created his Igor-follow up with CALL ME IF YOU GET LOST.

Best picks: CORSO, WUSYANAME, WILSHIRE, LUMBERJACK

Gorgeous, hip, outlandish and perfectly Tyler, the seemless – and quite frankly, flawless – album transitions from one breadth to another, with the outros blending perfectly into another deflective motion of the album dialogue. This time, it’s the bodacious star of Sir Baudelaire.

The wacky, indigenous instrumentals and the lyrical ingenuity that we hear in Hot Wind Blows, MANIFESTO and RISE! is the perfect radio soundtrack riding in our Cadillac’s and Pegassi’s in Rockstar’s Grand Theft Auto.

In what may have been a difficult turnaround for Tyler to adapt from after writing the stellar concept of Igor, Tyler has made the executive decision of blending the elites of Goblin, Cherry Bomb, Flower Boy and Igor into a fantastic trope of easy-listenin’ lo-fi hip-hop that just is so fun to play. You can certainly he had fun making it, too.

With many others thinking that CMIUGL is the apotheosis of his past art, I couldn’t agree with them more. It has glimpses of old Tyler and new Tyler that is beneficial to all fans of the artistic evolution that is .. Tyler, The Creator.

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Song of the Day: Pacific Avenue’s Something Good

Drawn from their 2019 debut EP, Strawberry Skies, it emphasises our love of summer, traditional holidays in the sun, and taking life one relaxing day at a time.

The Australian 4-piece brings fantastic contemporary indie flavours and blends of timeless rock that stays fresh in the sunlight. “Something Good” is the epitome of their work so far, as it demonstrates their knack of rock calling and have become one of the best emerging talents in the Aussie country.

Plenty to bring too, with their recent flurry of excitement, Easy Love – which is another timeless indie summer classic.

You could very well argue how oversaturated we are already with summer indie tunes. But, there’s definitely a reason as to why there’s so many compilations abound.

We simply can’t get enough of ‘em.