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Let’s Talk: Do you listen to the radio anymore?

As our attention spans falter, and our music preferences irate, we’re finding new ways to divulge into our music via streaming services and sheer ease of access.

It seems that the radio’s playthrough preferences and inane adverts are being cut out of our music listening as we crave for the instant.

Now, whether we listen more to radio in the car, or in businesses where we have no choice, radio has and is a crucial part of the music industry and how we consume music – radio is a fantastic way of sharing with the creative communities and represents our love for music in a concept that is enjoyable and delectably consumable.

Despite everything, radio is a service we can’t really get with any other music consumption platform and is unique. Not just to its audience, but to its artists the stations play.

Whatever side you’re on, let me know! Radio or Radi-NO?

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What are your most looking forward to in music this year?

As we approach the half way mark on a year that has been rife with uncertainty, animosity and yet, great music from all walks of Earth, what are you most looking forward to in the coming summer, and approaching autumn? We have a lot of major albums and festival gossip coming up this year – and so what you looking forward to the most?

I’m excited to hear new Imagine Dragons this year. They have been fairly quiet throughout the lockdown period and I’m excited to hear some quality anthems from the group. It’s been too long! I have to say this because it’s the truth, but I’m also excited for new Coldplay. I was pleasantly surprised over the catchy rhythms of Higher Power, and the teasing trailer they have given us to gloss over seems to feature different elements of Coldplay through the years. To the more grounded tones of Rush of Blood to the Head and back to the eutrophic electronics of chart-dominant A Head Full of Dreams, hopefully we’ll hear some original sounds cropping up in their 11th studio album attempt.

What are you looking forward to? LET ME KNOW!

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Latitude Festival: First Major Festival since ‘Freedom Day’

Campers for Latitude festival are set to prep camp and arrive today at Henham Park in sweet anticipation for Latitude Festival this weekend (22nd to 24th July) – the first major festival in the UK to go ahead since ‘Freedom Day’ on Monday for COVID restrictions.

Announced as the Government’s Event Research Programme, the 35,000-capacity is set to go ahead this weekend, as thousands flock in droves to see the likes of Bastille, Bombay Bicycle Club and The Chemical Brothers headlining.

In order to gain entry to the festival, which runs until Sunday (July 25), ticket-holders will be asked for proof of a negative lateral flow test taken within 48 hours of arrival at the festival, or proof of full vaccination with the second dose having been received at least 14 days prior to the first day of attending the festival. As a test event – it can go ahead with no social distancing requirements.

With this, where many are unsure and doubtful of such festivals going ahead in such vast quantities, many people are loathing at the prospect of missing out, and seeing live music come back in such large volumes again.

What a test event means for COVID:

<a class="wp-block-button__link" href="<!– wp:paragraph –> <p>What a test event means for COVID: https://www.bbc.co.uk/news/uk-england-suffolk-57895625</p&gt; !!RETURN OF LATITUDE!!

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Hopefully, this is the first of many (test) events that will help provide ample funds to the music industry that so desperately needs recovering from the swollen pit it has fallen itself into.

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YONAKA – ‘Seize The Power’: Album Review

Don’t Wait Till Tomorrow, get listenin’.

Brash and brazen English-quartet, YONAKA have returned with their second album release, Seize Your Power. With no attempts to slow down after their triumphant debut of Don’t Wait Till Tomorrow back in 2019, the rife punk-ists return with a vengence for heavy riffs and hard punches as Call Me A Saint and self-titled, Seize Your Power takes the band down a path of eclectic electronica, which ultimately shapeshifts into some of their most powerful songwriting they’ve done so far.

Aired with a mist of maturity within its run-through, Seize Your Power demonstrates the bands’ ability to bend their sounds to the current, but still keeping it fresh within their own sound.

Although not as boomy and nowhere near as rocket-fueled as their debut – and no where near the same running time – it still holds its head high however, with a sense of satisfaction of finally finishing. It may be a far cry from the frenzy mish-mash of Don’t Wait Till Tomorrow, but this does come with its own advantages … With the band beginning to gain traction through staying prominent, maintaining track records and creating euphoric music, it seems that they are starting to get it.

Clique can be shafted, though. Big no from me.

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What’s the Greatest Music Album created?

Another day, another discussion.

It’s time to drop trowel and get dirty with this one. Any album, of any genre, of any decade – what’s the greatest made? Now, that may be a tall order, but I know you can at least suggest a few contenders. Or, maybe you’re ballsy and know the greatest music album created already. Whether it be from a forum you read impartially or whether it’s from your own intellectual thoughts of music knowledge and understanding, pit them against one another in the comments and we can get angry with one another. I mean, if it comes to that. I doubt it would though, as you guys are all great.

Anyway, I digress – GET TO IT!