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Frank Carter & The Rattlesnakes: ‘Sticky’ Album Review

Unapologetically chaotic, ‘Sticky‘ is a pressure release sharing talks on the dirty and the depraved during lockdown.

With accommodating – and somewhat feral – guests, enter Frank’s town … if you dare.

Carter and Co are back with their fourth studio album out of the door. Where their last album, End of Suffering was an outcry to mental health and toxic masculinity, this one is more of the good ol’ punk classic of f*ck you and everyone around you. In other words, it’s a fantastic familiarity from this echoic band.

Among Bona fide – and soon-to-be- punk icons of Primal Scream’s Bobby Gillespie, IDLES’ Joe Talbot and electro-punk rapper Lynks, we are slowly entering territory of raw, unequivocal talent as Your Town and Go Get A Tattoo become album highlights championing diversity of rock and slab-stone punk.

This album is just as raw as any – as any IDLES and SLAVES album before them or since. Certainly standing on the shoulders of their punk adversaries, Frank Carter and the Rattlesnakes are paving their own journey.

___________

My town, it looks like yours
Run down, worn out, all shut doors
Broken windows, empty halls
Where no one gives a fuck at all

___________

[Note: It’s important to note that during this music video, Frank Carter and Dean Richardson are seen throwing away their prior album End of Suffering. Has the suffering started all over again? Or is it case of simply being fed up with it all and anarchy being the only solution?}

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Artist Spotlight: Burna Boy

Cultivated by a fusion of dancehall, Afro-beat reggae, Burna Boy has since become one of Nigeria’s fast rising-stars.

Inspired by the affluence of Afro-beat bops from his native country and the dancehall beats from the shores of Sandy America, a genre would converge that would soon become his signature sound. Simply sultry and effortless, Burna Boy has acclimatised to global stardom since the early 2010s.

After catching his performance in New York’s Central Park live on television a few weeks back, we instantly fell for his funky Afro-beats, enjoyable stage presence and have been enjoying his music since.

Whether it’s your particular style or not, I would recommend to give his music a try. Maybe if it’s just the one time.

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Let’s Talk: What was your favourite music from the 2010s?

After having a little time to myself after work, I decided to do a little insatiable digging and scouring into the past works and creations of what we saw in terms of music in the 2010s.

After an unwilling acceptance of enjoying chart music a little too much when I was younger, I thoroughly enjoyed the pump-it-loud electronica r’n’b music of Black Eyed Peas, bleary-eyed MIKA and eventually my evolution of indie music with Foster The People’s Pumped Up Kicks.

I always love venturing down a music wormhole of past pleasantries and gander into what my music tastes used to be like during my childhood.

And by God, how much has it changed. Now, I have no idea who enters the charts at one point during the week. It’s a world of unknown and now, a minimal disdain for all things popular music. Bleurgh.

What are your favourites of the 2010s?

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Let’s Talk: What makes an artist SUCCESSFUL?

For your Sunday evening, here’s a deep dive into the talks of all things music.

In your humble opinion, what makes a music artist successful? Is it the sheer social media numbers and radio plays? Or is it something far more personal with their musicality and story as a songwriter? It seems to depend on whom you ask, but the varying degrees of success is often weighed up when discussing an artists’ music.

For me, I think it’s whatever makes the artist happy. Playing to a group of ten people in a small dimmed bar, to getting that perfect song out that shows you as the perfect songwriter, I think measures success.

Popularity and successive streams are certainly extras that come after for me. Now, that’s just my opinion to this one, what’s yours?

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Artist Spotlight: Black Honey

Similar to that of Black Honey, this indie-grudge grunge quartet are as viscous in their bold music-beatings as they are as sweet in their intriguing delivery.

Tough acts of “Beaches”, “All My Pride”, “Corrine” and “I Like The Way You Die,” are what makes this Brighton collective so unique and wild in their coming-of-age industry story. Love, lust, hate and all-between.

Another band is rising into the limelight showcasing a boss bitch frontman and a no-nonsense attitude knowing exactly what they want.