Hey folks. Seeing as it’s monday tomorrow (sorry), I’ve been struggling to find fantastic new work from our glorified music artists in the industry today, so let me know what you are currently listening to on your commute to work. What’s your most comfortable music to listen to? Fast and heavy to wake you up and smell the coffee or the relaxed sounds of podcasts to keep your mind serene in the morning mist. LET ME KNOW!
One of the biggest stars of the century is back. Stark in maturity, complexion and musicality, Billie’s “Happier Than Ever.” Her genre-defining sound has been prolific since the debut of ocean eyes, and her first debut, WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? with bad guy and when’s the party over. But this time, gone are the baggy clothes, the adolescent catharsis and the unique hair. This time, comes a new Billie. All grown up. Illustrious, sleek and sexy, Billie Eilish comes of age. And with, her first vogue cover. In what seems like a turning of age, she has become the female face of modern diplomacy, charting course for changes not just in an old-fashioned music industry for women, but the restrictions women face in every day-to-day environments.
If the album name goes by anything, safe to say, she is finally happy and comfortable with who she is, out and proud within her music, too.
Happier Than Ever brings a more wiser, self-reflective approach to Billie’s artistry with Getting Older, which tackles responsibility, sexual harassment and reflecting the distress she has gone through within the music industry. Which to me, after seeing her grown up in such a difficult industry being in the limelight, is quite sad.
“Things I once enjoyed,
Just keep me employed now.”
Fan pre-favourites, my future, Your Power and Lost Cause are strong contenders within an album fluxed with empowering emotion, undulating electronics and lustful lyrics that are so Billie. GOLDWING and Everybody Dies are my favourites among those already chosen, with the atmospheric space scapes making a return to her sophomore album. It’s a refreshing take on her music, shedding the skin of the angry from her debut and returning to her former modest self on her new and nurturing EP of don’t smile at me.
Worth the listen – even for the status of the artist.
So, if you have been an avid follower of this blog, you will know that I’ve been designing and making my own music magazine over the past couple months, and so this blog has taken somewhat of a backseat as I’ve been delving into this – a far more creative approach to music journalism.
What are your thoughts on getting your hands on this mag? It will feature fresh album reviews and industry stories in unique graphics and a fashionable approach to conveying the art of music in a fantastically fun way. I’ve always wanted to delve into this side of things, so I’m extremely excited to catapult this project into its final step this weekend – PUBLISHING IT!
If you would like to see the whole thing so far, just let me know, share your email and I can send it across if you like! I’d love to hear your pearls of wisdom and impressive thoughts on something like this. You guys have been supportive throughout this blogging work and I can only imagine that this will be ultimately doubled during the physical copy work of Man v Music …
Piquing our interest as he retools and rebuilds his sound, Sob Rock is Mayer’s faithful return to the tail-end of tween soft rock and delightful pop. Known for his eloquent voice, soulful bops and jazz-inspired chords, he is best known for antiques of Your Body is a Wonderland, Slow Dancing in a Burning Room and now, New Light. The next tale in straight-edged music writing. In what others may seem as boring and easy to listen to, John Mayer’s songwriting is simplistic, elegant and perfectly suited to his approach to music. And funnily enough, we listen to easy music for easy listening. It is no wonder Mayer has racked up such a loved and compelling audience, what’s not to love?
Sultry enough for 2am elegance but chill enough for a casual night-in, John Mayer joins in on the fun and shares what he’s been getting up to during the pandemic lockdown. No doubt having your own recording studio helps.
Owing my drum career and music fascination to Slipknot’s initial work, I thought it was important to bear a worthy mention to the drumming legend of Joey Jordison. Ferocious, formidable and horrendously evil when it came to producing drumming doubles, he will be sorely missed within the metal drumming community. Especially with his founding work with Slipknot. A band that were – and still are – one of the biggest and greatest metal band in the world.
Regardless of the downfall he may have undertook due to health issues, the sheer icon he portrayed whilst in the eyes of us on stage is overwhelming. When I first heard the news last night, I was shocked to my very core. With me thoroughly devastated and him – a sorely missed family member of the drumming community.