In a dramatic twist of every event listening to a new music artist or venturing into a wormhole of an unknown indie playlist, I always sit, listen and come to the conclusion: “hey, this band sounds like Pixies.” In fact, now that I mention it, they all do.
That’s because I wouldn’t doubt that every one of these indie rock bands who are either settling into their music – or are yet to find out their sound – have their influence pinned directly into the heart of Pixies.
Culturally emphatic and era-defining in more ways than music, Pixies redefined the imagery of alternative rock and decorated into a reformed sense of a Pixie trick of underground garage. Cold and heartless where necessary but oddly satisfying on some cherry-pickers, Pixies‘ collection since their debut in ’87 has been consistently reinventing the alternative wheel with their inventiveness and their vivid colours, especially with ’89s, Doolittle, an album that is formally known to perhaps everyone who ventured into the oddity of alternative music and underground garage music.
The lengthy numbers of Debaser, Hey, Wave of Mutilation and of course, Here Comes Your Man makes it the go-to soundtrack for the ravished ’90s.
Even their most recent album release a year ago in 2020, Beneath the Eyrie just shows that they’ve still got it. The perfect four-set combo of squealing guitars, broiled vocals and brutal drum-lines is aesthetically available here too, with Beneath the Eyrie. It’s almost like they’ve been writing music for over 40 years. Oh wait, they have.