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The Power of A New Album

Evening, folks. I thought I would jump on here and share my thoughts with you.

Following from my album review yesterday about The Vaccines’ recent bout of retro cities with Back In Love City, I’ve played it non stop.

Not only have I invested my time into these indie favourites, but I’ve actually invested time in their past albums which I’ve managed to missed or not invested a lot of time into. Trawling through an artists’ past work all the while going back to their recent work is a fantastic way of seeing the artists’ journey through song writing but it also allows the artist to stay relevant and in our minds – all the while benefiting from the influx of listeners, tribes of music purchases and avid watchers of their next leg of tour.

It really shows the power of staying relevant and fresh by creating new music. Especially if that new music is fantastically inventive and ultimately reinvents the artist wheel of their music. It keeps you around for longer!

I’d love for anyone to put me in my place with snarky comments like, “oh well this is why they do it..” and “it’s common knowledge about new music..” but I’d just thought I would share my recent thoughts with you!

Thanks folks.

By the way, The Vaccines are touring in the spring next year across the UK (in case you wondering)!!

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Song of the Day: “The Adults are Talking” – The Strokes

Off the back off the glossy indie bands’ return to stardom from 2013’s Comedown Machine, The Strokes are back with a bold, brash and thought-provoking approach to their songwriting work.

You can have a listen to “The Adults Are Talking” below. You can catch the single in u their eclectic album release from last year, aptly named, The New Abnormal.

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WILLOW – ‘lately I feel EVERYTHING’ Album Review

As another day passes, another album project involves the punk icon of Travis Barker. It almost goes without saying that Barker will be involved in some punk cross-collaboration with any artist who seems to afford him. There is certainly clique of quality that resonates with him and I’m fairly confident that certain people may only listen to new punk decorum if Barker is on the throne.

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WILLOW’s ‘lately I feel everything‘ is no exception. Shedding away her bubble-gum pout, and flashbacking to her involvements with her mother’s nu-metal band Wicked Wisdom when she younger, she brings along a colossal tarnishing of pop-punk and emo of fistfuls as transparent soul, GROW and Lipstick awaken this punk beauty out from her childhood and into mature musicality and and an ever-growing stage presence.

It’s worth mentioning that the album is not all fast and blurry. don’t SAVE ME and 4ever bring tasteful breaks in the incessant album that add depth and further introspective thoughts to the world of Willow. The transcendent of pop-punk are ever-present too with the dark, drull tones from the likes of The Cranberries and Nirvana crawl through, which is even better for me.
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She also brings childhood heroes of Avril Lavigne and of course, Barker along for the ride.

Although somewhat cringey at times, that somewhat fall flat in places, its pop-punk. Through and through. There’s no disputing that and if you like a bit of pop-punk easy on the ears musically, then look no further.

And it’s another Travis Barker project to add to the roster. Score.

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Album of the Summer: Arlo Parks’ Collapsed in Sunbeams

Despite it being a fairly recent release as it came out earlier this year, Arlo Parks’ Collapsed in Sunbeams is a perfect storytelling soundtrack of luscious expressive indie-pop that encompasses the magnificence of British summer beautifully.

I had presumed that I had done an album review to showcase this beautiful album, but it appears not. Fear not, if you wish for me to review this album, let me know and I’ll get right on it. It is a perfect Summers’ collection after all. It is very fitting as we enter record-breaking heatwaves on our British shores. I’ll include the necessary links to have a listen to the album in full before you glance over this review of mine. Thanks all.

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Artist Spotlight: Badflower

Committing blood, soul and mind to their art, Badflower are a cathartic Los Angeles-bred quartet that you require to be on your rock radar.

Hailed for their triumphs of their debut album, OK, I’M SICK in 2019, their rock stardom catapulted to them to unimaginable scenes, as they achieved commercial success with their hauntingly powerful punches of Ghost, Heroin and The Jester.

The confessions of musicality are in droves as the album implores the discussion of sleep, sex, sadness, mania and pain in doses of hot flashes. Relevant, fresh and fresh, Badflower are continuing to be the thorns in our side as the rock powerhouse we have to listen to as part of our rock ritual.

Recent releases of 30 and Family in 2020 has allowed them to clock up to 280 million streams collectively, and they only plan to go further with their music.

Even if you don’t believe the hype as such, be sure to not miss it – because you can be sure you will. I almost did.