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Billie Eilish: A Blurry World

Growing up in music is never easy.

But growing up with 6 million dollars net worth at 18 in music is an incredulous feat that no one would ever dare to undertake.

Ellish’s sudden global rise to fame has been seeped over her music ever since she released Ocean Eyes at the age of 15.

Her music ultimately portrays such an intoxicating environment – with melancholic moments and agitated arks when it simply got too much.

Now just turned 19, it seems Ellish has veered onto a new path.

With her second studio album, Happier Than Ever.

Is this a turn of the tides for the artist finally being happy and comfortable with who she is?

With the help of her producing brother, Finneas, Billie has had the eternal spotlight on her since she was 15, and is no stranger to enduring the ugly side of such an industry.

Certainly, starting so young in an industry will almost never result in a healthy life.

Billie Eilish has used her empowering status and power figure in the arts to cast light on important topics such as depression, body image, self-doubt and a certain sense of imposter syndrome.

Despite being having such a different childhood to many other esteemed teenagers, we have never felt connected more to a music artist than Billie Eilish.

With an overwhelming sense of dread with tours, press and the unbelievable amount of pressure that comes with it all, Eilish has been growing up with us since 2017 is truly an avid watch, and I would recommend to watch her documentary, The World’s a Little Blurry.

don’t smile at me, 2017

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Her acclaimed status started gaining momentum when the temptations of don’t smile at me appeared in 2017, with the cardinal feature of Ocean Eyes, which certainly made heads turn.

WHEN WE FALL ASLEEP, WHERE DO WE GO?, 2019

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After a few scary years up and down struggling with anxiety, depression and true identity all the while growing up as a teenager, her debut album, WHEN WE FALL ASLEEP, WHERE DO WE GO? in 2019. Although slightly more contemptuous in style compared to the likes of Ocean Eyes, it showed an insatiable side to the teenage artist we hadn’t seen before. The sheer humble beginnings of such a debut scored her one of the biggest North America debuts in North America, and solidified her colossal rise with 5 GRAMMYs.

She is now set on a new journey on her own truly reflecting where she feels with herself right now. With us already being indulged with the soothing tones of Your Power, I feel this album will allow us to see another chapter in this artists’ life. Going off the decision of such a title, let’s hope it’s a happier one …

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Vanity Fair Interview: One thing that is fascinating to witness and watch the simply intriguing journey this young artist has gone through to super pop stardom is to watch the Vanity Fair interview with Billie Eilish: Same Interview series. You can start the series via the link below:

“I want to know if it’s all worth it, because it’s tiring as heck.”

-Billie Eilish, 2017.

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“You forget that I’m literally 18, it’s funny to be expected to have found myself and stick with it, you know? I’m trying different things out, I’m different ways of living. I’m just trying it all out cause I’m a growing f*cking girl.”

-Billie Eilish, Same Interview, The Fourth Year: Nov 30, 2020

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“It’s not the industry that does it, it’s just the people around you. It’s just about knowing your people, knowing your boundaries and who you trust.”

-Billie Eilish, 2020

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Nebula Festival: The First ONLINE Music Festival of 2021

This weekend (May 1st and May 2nd) enjoy the art of entertainment with a whole host of rising bands, impressive acts and obsessive songwriters.

All streamed solely from Facebook and Zoom, Nebula Festival is encouraging the will of live music – despite being in a pandemic that prevents such things occurring in the real world.

It not only pumps the enthusiasm for musicians, audiences alike but also pumps the enthusiasm for a likely return to usual industry business in the summer, too. Whether that be with the usual proceedings or not, we’re all looking forward to enjoying a hardened local pint while listening to a hardened local band for accompaniment. The perfect duo.

Either way, be sure to check their colossal live stream across this weekend via the link below – even if it’s just a 5 minute check-up..

http://nebulafestival.com/

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Royal Blood – ‘Typhoons’ Album Review

Mike Kerr and Ben Thatcher: Royal Blood

After a 4 year hiatus from their rampant, aptly-named follow-up of How Did We Get So Dark? and Mike’s rise from his struggle with the rock ‘n’ roll life of alcohol addiction … they blow off the cobwebs …let a little light in … and develop a fresh take on delectable dance-floor grooves with their highly anticipated third album, Typhoons.

Who said elements of Daft Punk would work so well with the sounds of Royal Blood, eh?

Although not featuring the same angst and bitter troubles we saw on the two albums prior, Typhoons brings a certain shine to their musical palette of still finding ways to create anthem-pleasers, but not having to always resort to the moods of their eponymous debut. While this may create some disappointment among fans as they wish for more of the same, Typhoons is a true tale of rising from your own self-destruction from “flying too close to the sun.”

An excess of redemption and solace, Typhoons packs the punch in another twisting tale for this Brighton band.

After the befalls of what a rock ‘n’ roll life bought him with alcohol, Mike started on the road to recovery – all to find his sense of purpose again in writing music.

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You made me believe I could change
That’s why you’re one in a million and one

Million and One

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Life is hard when you’re losing, nothing easy’s worth doing
Save yourself, don’t throw in the towel

-Hold On

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With it, comes a redeeming of a band once lost, a splash of all-important colour and and still, a rampant discography listing once again that will no doubt shake the timbers of the arenas they are planning on performing in the Spring of next year.

At first, I had my doubts and fears of a band possibly resorting to the comforts of their softer side. Especially how big the band had gotten with their elemental nature and their dark presence in the past – – but the album has a flair of creativity that honestly was not expected from me.

Mike’s tales of struggle are littered throughout this album with Oblivion discussing losing his way with “fire in his lungs” and the demons that bring with bad habits in Who Needs Friends. The noteworthy guitar/bass combo and the beautifully simplistic AC-DC-inspired drumming is still prominent and won’t ever dissipate, of course.

But, Typhoons shows us a side to the Brighton duo we haven’t really seen as of yet. Raucous where needed but still featuring those new twists of dance-floor grooves in Million in One and Mad Visions, it is the next strongest tale for the story of Royal Blood.

Wishing to learn more about Royal Blood?

Discover more:

TYPHOONS: The Evolution of Royal Blood

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The Return of Live: Summer Confirmed

Hey, folks. I just wanted to give you a little update on where we are right now with live music. With us firmly on the roadmap for return in the UK, we can confirm all those summer gigs and events will go ahead with the comforting prospect of us soon returning to some sense of normality within our daily lives. Especially after those Spanish concert-tests revealing as no new cases or issues concerning the disease, it all seems to be going accordingly to plan – touch wood.

Here’s to our SUMMER OF HOPE FOR LIVE MUSIC.

If you’re planning on braving it out there in the sun …

what’s first on your list?

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Thirty Seconds to Mars: The Majesty of ‘A Beautiful Lie’

Romp with frenetic energy, stellar line-up and an amazing concoction of noise, the band’s 2005 second album has become an instant cult classic.

Irrespective of the number of albums they sold (which stands at over 5 million) or how many emphatic tunes are within this album (which stands at 6 for the well-known), A Beautiful Lie is a nostalgic trip into creating a rock masterpiece for all the ages. The flaship of Thirty Seconds to Mars, ruled the rock roster from ’05 to at least 2011 across the western world.

With their collective reaching infamous heights such as, “The Kill”, “From Yesterday,” “Kings and Queens,” and “Closer to the Edge,” they are the flagship of breaking barriers and selling platinum in not only their home continent, but onto international soil, too.

However, I am also tempted to state the band in past-tense for their musical history, but believe or not – – they are a band that are still active and alive today in the industry.

Despite recent releases that don’t usually resemble the Thirty Seconds to Mars we witnessed back in ’05.

But, this is not new news for a band to change with the times, strip their chaotic rock anthems, and blossom into the ventures of pop to strike resemblance and relevance among an ever-growing listening audience – their rife trap-beat and achingly simple 2018 album, AMERICA showed us exactly that.

But, A Beautiful Lie was something else. Ripe with angst, passion and strong intentions, it ultimately set the precedence for the industry, swung opposing heads to the LA brothers, and allowed them to dominate the tempting top-position in the rock world.

Despite the rock teetering out to enter the plethora of mass culture, it still allowed them to achieve critical acclaim, notable accolades of awards and sell over 15 million albums worldwide – when we were still purchasing albums, that is.