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Song of the Day: Pacific Avenue’s Something Good

Drawn from their 2019 debut EP, Strawberry Skies, it emphasises our love of summer, traditional holidays in the sun, and taking life one relaxing day at a time.

The Australian 4-piece brings fantastic contemporary indie flavours and blends of timeless rock that stays fresh in the sunlight. “Something Good” is the epitome of their work so far, as it demonstrates their knack of rock calling and have become one of the best emerging talents in the Aussie country.

Plenty to bring too, with their recent flurry of excitement, Easy Love – which is another timeless indie summer classic.

You could very well argue how oversaturated we are already with summer indie tunes. But, there’s definitely a reason as to why there’s so many compilations abound.

We simply can’t get enough of ‘em.

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Happy World Music Day 2021!

21st June: Happy World Music Day!

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Link: The unsung musicians of India

As a day to encourage young musicians and young learners from every community and every city to perform outside, World Music Day has returned today on the 21st June. Celebrated with over 120 countries worldwide, it’s a fantastic sight to see as musicians across the globe pick up their instruments, sharpen their vocals and simply play, perform and just enjoy themselves simply for the love of music.

Despite the pandemic restricting a lot of events to showcase our love of music outside, there’s been plenty of community collaboration and live performances done solely online. Emphatic music works have been going on since the early hours of this morning and despite us being confined to our time zones witnessing live music first-hand, we are undoubtedly drawn together with our love for music.

So, despite the often rare fanatic exploration of World Music annually, take some time out today – no matter how long you have left of the Monday – … and enjoy some music that is culturally, and artistically, inspiring.

You can view some fantastic performances below!

Thanks folks x

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Sleep Token – ‘Sundowning’ Album Review

Eternally divinine, Sleep Token are one of the most unique new underground acts in the heavy rock and progressive metal heading to leave its quarters of worship and share its beauty with us.

Definitive, powerful and expertly put together, Sundowning is one of my favourites that I just keep coming back to, simply to relive. I implore everyone else to do the same.

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But, don’t be put off by the glorious display of devil-like incarnations, this album is not to be trifled or spited with. Like inhabited spirits, they simply create abounding music – and simply worship those creatives before them.

Like carefully aligned pieces of music, for me, the album invokes a masterpiece – and I love it. Beautiful melodic performances, a sorrowful vocalist, the precisely-timed chaos of the arching drums, and the illusion and mystery that invokes such a piece is enough to upkeep conversations going about just how strong the progressive-metal scene is in the UK.

The sheer anonymity of the British collective just adds further to the mystery, too. Songs such as, The Offering, Dark Signs and The Night Does Not Belong to God are somewhat showing their worship to an ancient deity that can only be identified by ‘Sleep’, who appeared to the band’s lead singer, ‘Vessel’, in a dream.

I know about it just as much as you do, but you’ve got to admit it’s pretty darn cool. But where frantic progressive-metal reins in their expressiveness, moments of fleeting beauty appear so softly in the ambient tranquil of such songs like, Levitate and Give.

The album does not begin to falter though, with elements of rage – maybe due to the lack of worshipping to their inhabitants – driving us straight into Gods and Say That You Will. The full 12-listing of the album ends with a beauty that I can’t stop repeating – Blood Sugar. A chorus of melodic piano, a hymn of vocals and progressive rhythmic art, it’s a worthy contender to end it right.

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If they’re planning on delighting the Gods with this as The Offering, the Vessel, and his collaborative collective, should be mightily satisfied with their efforts.

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CATCH-UP: BBC Radio 1’s Big Weekend

Whilst we’ve been bathing in the glorious sunshine this bank holiday weekend, the magic of live music has returned in some realm of sorts with BBC Radio 1’s Big Weekend. Set across three days from the 28th to the 31st, some of the biggest music artists right now headed to some glorious landscapes in the UK countryside and delved us in some fantastic live music.

Coldplay at Whitby Abbey, Ed Sheeran in the countryside, Jorja Smith at Alexandra Palace, AJ Tracey at a basketball court and Royal Blood at their local Brighton pier – the plethora up for grabs was quite favourable to any fanatic fans of music.

Whilst it’s easy on eyes with fantastic backdrops to the emphatics of music, it’s another horrid reminder of the effects live music has without its audience. Entirely reliable upon one another, BBC Radio 1’s Big Weekend is another implore for COVID to dismiss from our shores and for us to get back to live-audience shows, gigs and festivals.

Catch the best bits, highlights or the full-length sets below:

BIG WEEKEND OF LIVE MUSIC

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easy life – ‘life’s a beach’ Album Review

Dowsed in nothing but sunshine, Easy Life implore us to return to the meandering waves of beautiful modern living with their debut, Life’s A Beach.

Ever since their debut single, Pockets, blew up online in 2017, they have been triumphantly souring into everyone else’s pockets as their installation of melodic indie pop/hip-hop hybrid of indulgence is added to playlist favourites.

We first heard the boys’ fascination with the seaside from their debut EP, creature habits mixtape with Ice Cream in 2018. Signing to Island Records the following year, brought about more musings of modern life as they craft classics like, nice guys, dead celebrities and sangria with fellow lush-romantic, Arlo Parks.

After their anticipated EP, Junk Food in 2020, it would only be a matter of time before their debut was created. Hence, one year on, here we are. With us in the UK edging further towards a sense of normality with adventures, holidays and enjoyment, this album couldn’t have come at a better time for us all. A perfect ample-soundtrack for beach lovers, it is a true enriching compliment of their past crafting aswell as their future sounds.

The FIRST segment is the slow descent into missing your chance on the train back home with ocean view, annoying familiarity with it all in skeletons and thinking of love lost with daydreams.

The SECOND segment of the album is one of sombre intrigue and melancholic flavourings that we have not really heard from their style as of yet.

The juxtaposition in the relationship tale between optimistic have a great day to wishful thinking daydreams and finally to the sinking-ship familiarity in lifeboat – it a fantastic journey.

Much like its album artwork of the bobbing car in the beautiful blue, the album’s concept teeters on uncertainty and tranquility with heartbreak at the coast.

Despite the bubbly potion-pourings of delight, lyricist Murray draws on its sombre stories of mental health and modern living issues.

… After all in the end, life’s a beach is a surprising reminder that despite all its beauty, the seaside can be a pipe-dream, eventually trawling us into a nightmarish landscape – all the while, giving us everlasting hope of having a taste of the old …

Witty and poignant, life’s a beach is such a pleasure to listen to.