Piquing our interest as he retools and rebuilds his sound, Sob Rock is Mayer’s faithful return to the tail-end of tween soft rock and delightful pop. Known for his eloquent voice, soulful bops and jazz-inspired chords, he is best known for antiques of Your Body is a Wonderland, Slow Dancing in a Burning Room and now, New Light. The next tale in straight-edged music writing. In what others may seem as boring and easy to listen to, John Mayer’s songwriting is simplistic, elegant and perfectly suited to his approach to music. And funnily enough, we listen to easy music for easy listening. It is no wonder Mayer has racked up such a loved and compelling audience, what’s not to love?
Sultry enough for 2am elegance but chill enough for a casual night-in, John Mayer joins in on the fun and shares what he’s been getting up to during the pandemic lockdown. No doubt having your own recording studio helps.
Brash and brazen English-quartet, YONAKA have returned with their second album release, Seize Your Power. With no attempts to slow down after their triumphant debut of Don’t Wait Till Tomorrow back in 2019, the rife punk-ists return with a vengence for heavy riffs and hard punches as Call Me A Saint and self-titled, Seize Your Power takes the band down a path of eclectic electronica, which ultimately shapeshifts into some of their most powerful songwriting they’ve done so far.
Aired with a mist of maturity within its run-through, Seize Your Power demonstrates the bands’ ability to bend their sounds to the current, but still keeping it fresh within their own sound.
Although not as boomy and nowhere near as rocket-fueled as their debut – and no where near the same running time – it still holds its head high however, with a sense of satisfaction of finally finishing. It may be a far cry from the frenzy mish-mash of Don’t Wait Till Tomorrow, but this does come with its own advantages … With the band beginning to gain traction through staying prominent, maintaining track records and creating euphoric music, it seems that they are starting to get it.
A true connoisseur, Tyler The Creator has created his Igor-follow up with CALL ME IF YOU GET LOST.
Best picks: CORSO, WUSYANAME, WILSHIRE, LUMBERJACK
Gorgeous, hip, outlandish and perfectly Tyler,the seemless – and quite frankly, flawless – album transitions from one breadth to another, with the outros blending perfectly into another deflective motion of the album dialogue. This time, it’s the bodacious star of Sir Baudelaire.
The wacky, indigenous instrumentals and the lyrical ingenuity that we hear in Hot Wind Blows, MANIFESTO and RISE! is the perfect radio soundtrack riding in our Cadillac’s and Pegassi’s in Rockstar’s Grand Theft Auto.
In what may have been a difficult turnaround for Tyler to adapt from after writing the stellar concept of Igor, Tyler has made the executive decision of blending the elites of Goblin, Cherry Bomb, Flower Boy and Igor into a fantastic trope of easy-listenin’ lo-fi hip-hop that just is so fun to play. You can certainly he had fun making it, too.
With many others thinking that CMIUGL is the apotheosis of his past art, I couldn’t agree with them more. It has glimpses of old Tyler and new Tyler that is beneficial to all fans of the artistic evolution that is .. Tyler, The Creator.
An epic album watermarked and etched forever in the cornerstones of my music fanciful tastes when I was merely a boy.
After scooping this album in its CD form simply for the love of its delightfully intriguing album cover, I had no idea I would even play it once – never mind fall in love with its whole entirety.
Created in the summer of 2011 – when phones were not eclipsed to the surface of our skin, and there was certainly less pressure in society for kids – Twin Atlantic‘s glossy supremacy of Free was the game changer for me and I instantly loved the band, the euphoria and the music.
With the Scottish angst chard, the vital chords struck home and it is, to this day, my favourite album of all time. Whether that be the nostalgic memories tainting my thoughts and values on the quality of the music, but it is a perfect album throughout.
Apart from knowing every minor fragment of the songs, all lyrical moments and drum parts, the album just has absolute monstrous bangers included.
Time For You Stand Up, Make a Beast of Myself, Eight Days just to name a few that can rip your arms right out of their sockets. The momentum of the album is waded brilliantly too with moments of beauty – Crash Land and Wonder Sleeps Here. Not to mention Serious Underground Dance Vibes which may very well have been my morning alarm for years, come to think of it.
The utter obsession of course worked, and made me unequivocally purchase the next album in 2015, Great Divide, which happened to be just as compelling, just as cut-throat and beautiful all in the same breath.
The invention and soon-to-be discovery of Spotify from myself, led me into a rabbit hole of everything Scottish rock, and of course, I had to listen to the predecessor of Free, which was Vivarium in 2009.
A buoyant and boyish album all about making music for fun, classics like Lightspeed and You’re Turning into John Wayne, certainly catapulted their fanatics and ultimately led them on to create Free a mere two years later.
Although the recent album works of GLA (2016) and POWER (2020) have certainly not had the same impact (possibly down to life getting in the way, and with these albums not being released in my adolescent years, too, for that matter) their catalogue is still highly commendable and certainly paves a way on how to achieve commercial success in Scottish rock.
For me, it really was the stepping stones (or one of them at least) that made me rethink my music taste, my musical journey, habits and hobbies in life and most importantly, made me tune in less to those fanciful chart radio stations and tune into to some actual stations. Thanks boys.
Sombre, enchanting but entirely beautiful, Leftwich takes us down a bewildering path of human nature as an alcoholic addict tells us his tales of sobriety.
“It’s an observation on what it’s like to be a sober alcoholic addict a couple of years in. A whale is heavy to carry.
It’s gonna hurt you to carry it. But it’s also beautiful, and it’s a miracle to be able to carry all that at all.”
Beautiful harmonics of Cherry in Tacoma, Slipping Through My Fingers and Full Full Colour bring this fantastically calm and serene album to a disclosure of triumph and struggle – and is certainly worth the entire trawl through the 10-track listing.