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Twenty One Pilots – ‘Scaled and Icy’ Review

Dynamic duo find their happy place – but falls flat within an empty attempt compared to their past work.

Much like its album name, Scaled and Icy, has flairs of happy-go-lucky fleeting moments, but ultimately feels like a hollow skeleton of their former selves.

Known for their compelling thought-provoking moments on mental health with lyrical ingenuity and complex albums like Blurryface, Scaled and Icy is not even in the same Vessel as their former counterparts.

Awash of hollow prude-pop with Good Day and Saturday, it is somewhat a disappointing return to music from Tyler and Josh. Almost as if they were pressured to release a studio album this year from their label, it is an unimaginative colourful mess, and quite a shame. The only moments to talk about would either be the singles prior to the album, Choker, Shy Away and possibly, Mulberry Street.

I managed to grab a full play-through of the album on my way back from work on the train, and it certainly made the trip a far more disappointing commute.

For me, it is just worthy of an honory mention simply for their legacy, but it is an absent contender within their integral identity.

I’ll be heading back to 2013’s Vessel. Hmu if you agree. If so, see you there.

Sorry boys, just not for me, this one.
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The Black Keys – ‘Delta Kream’ Album Review

As tough and brittle as a Rubber Factory, rock-blues natives from Ohio, The Black Keys are true realists when it comes to making the swampy work of blues-rock.

Known for spiting their differences about the music industry, The Black Keys – made up with Dan Auerbach and Patrick Carney – they are a brutal force to be reckoned with as this same force goes to great depths to deliver truly raucous works of outrage, contemplation and delivery.

Their tenth studio album, Delta Kream is a swampy dredge of traditional blues-rock that harks the duo back to their collective roots of The Big Come Up in ’02 and Rubber Factory in ’04.

Despite the differences of seeing the brutish anthems of El Camino that saw the band receive commercial success from 2011, Delta Kream is a luxurious midnight-cruiser of an album that is worth every road trip in the mist of darkness.

The twelve-track listen is a stripped-back rendition of cover songs of blues artists that continue to inspire them, that ultimately remind them to never let go of the blues.

When all said and done, Delta Kream is a showing of the blues brothers-from-another-mother truly in their element. Take a trip down memory lane, because this album yearns for candlelight.

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The Return of Don Broco

After a frivolous week of promotion with David Beckham’s personal photos taking up their social media, Don Broco have finally released new music since the chaotic mega-hit of 2018’s Technology with Manchester Super Reds No.1 Fan. Heavy, dirty and simply fantastic, it is a fresh taste into Don Broco’s new sounds with their new fourth studio album set to release in September of 2021. Let me know your thoughts on the new delights from 4-piece alternative outfit Don Broco.

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The Home for Heavy Rock Lovers: Music Playlist of May 2021

Welcome, my pivotal Pit-dwellers. Please venture into the list below about the newest and strongest heavy rock music in the month of May right now.

My Town (feat. Joe Talbot) – Frank Carter & The Rattlesnakes: Slow reproach from an otherwise chaotic sound … but new sound is fresh and promising.

The Chant – Gojira: The anthemic churns of Gojira with this song is befitting with a sense of euryopia. Raise your fists to this one.

He’s So Good – Trash Boat: Soaring choruses enthused with punk rock and post-hardcore – what’s not to love?

Dead Butterflies – Architects: Album review of this one pretty much sums up the new sounds from these lads. Greatness abound, worth every listen.

War – IDLES: Talbot and his crew joins the list a second time with their passionate, darkly intimidating work demonstrates the best in the UK scene of punk rock right now. Utterly damaging, it’s brilliant.

One+One – Death From Above 1979: Gritty configurations and dirty lyricisms, 1979’s new material is colossal and composes elements from Royal Blood’s new album, Typhoons.

NERVOUS – While She Sleeps, Simon Neil – Another cross-collaboration with Biffy’s frontman, Simon Neil, NERVOUS are redefining the works of modern metal. Cathartics matched with beauty.

Only Love Can Save Me Now – The Pretty Reckless – True classic hard rock empowered with an emphatic line-up. Matt Cameron, Kim Thayil, Taylor Momsen. Phwoar.

Whiplash – The Horrors – Electrifying horror-show by the Horrors. Hard rock at its best. See you in The Pit for this one in the summer soon.

THE PIT. THE PIT. THE PIT. THE PIT. THE PIT.

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Gerry Cinnamon: The True Story Teller of Music

Fiercely independent in any scenario is a difficult task to undertake and complete well. Being fiercely independent in the music industry without any financial backing from that of a record label? – An unequivocally difficult feat to do and do well, mind. A true musician who personifies in relatable story-telling is the man that goes by Gerry Cinnamon.

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A brutish, relatable and genuine in design, Cinnamon is a brutally honest with his portrayal as a music artist, as he is with his lyrics. Held deep within an industry that changes to the consumer, Gerard Crosbie has kept himself to himself – with keeping his local accent in tone with his brutally honest lyrics. It is a tribal fusion of rock and folk at its best.

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Fashioning a reputation as the world’s greatest independent music artists, he has championed and broken great records in his journey. His sing-along anthems are emphatically powerful, rich and simply modest. With just a man and his acoustic guitar, he has reached impressive heights that gives Ginger Ed a run for his money.

Sometimes, Belter, Canter, Where We’re Going, Ghost.

An acoustic extraordinaire and a simple marvel in creating empathetic work, he joins the ever-growing list of prolific Scots who are turning the industry upside down into a Northern nuisance of fantastic music.

Biffy Clyro, Twin Atlantic, Paolo Nutini, Lewis Capaldi, The Snuts, Gerry Cinnamon. These are just a few artists that come to mind in an industry littered with them.

If it’s one thing the Scots do right, it’s writing music.