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Song of the Day: Pacific Avenue’s Something Good

Drawn from their 2019 debut EP, Strawberry Skies, it emphasises our love of summer, traditional holidays in the sun, and taking life one relaxing day at a time.

The Australian 4-piece brings fantastic contemporary indie flavours and blends of timeless rock that stays fresh in the sunlight. “Something Good” is the epitome of their work so far, as it demonstrates their knack of rock calling and have become one of the best emerging talents in the Aussie country.

Plenty to bring too, with their recent flurry of excitement, Easy Love – which is another timeless indie summer classic.

You could very well argue how oversaturated we are already with summer indie tunes. But, there’s definitely a reason as to why there’s so many compilations abound.

We simply can’t get enough of ‘em.

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Could the delay in lockdown “irreversibly damage” the music industry?

With a possible delay in the lifting of lockdown from the 21st June due to a spike in cases from a certain variant from the landscapes of India – it could well and truly see the music industry in UK “being left behind.”

With transparency needed more than ever from the Government, we are looking to Boris Johnson and what he has to say about it at a news briefing scheduled for tomorrow (14 June.)

If the lockdown is confirmed to be delayed for another two months or so, this can see over 5,000 events being cancelled, which again, would cost millions to the music industry.

Wishing for a summer of music we all want, the Government must cooperate and deliver an understandable plan of return as, anything past the expected date of 21st June, is ultimately new ground for us all.

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Sleep Token – ‘Sundowning’ Album Review

Eternally divinine, Sleep Token are one of the most unique new underground acts in the heavy rock and progressive metal heading to leave its quarters of worship and share its beauty with us.

Definitive, powerful and expertly put together, Sundowning is one of my favourites that I just keep coming back to, simply to relive. I implore everyone else to do the same.

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But, don’t be put off by the glorious display of devil-like incarnations, this album is not to be trifled or spited with. Like inhabited spirits, they simply create abounding music – and simply worship those creatives before them.

Like carefully aligned pieces of music, for me, the album invokes a masterpiece – and I love it. Beautiful melodic performances, a sorrowful vocalist, the precisely-timed chaos of the arching drums, and the illusion and mystery that invokes such a piece is enough to upkeep conversations going about just how strong the progressive-metal scene is in the UK.

The sheer anonymity of the British collective just adds further to the mystery, too. Songs such as, The Offering, Dark Signs and The Night Does Not Belong to God are somewhat showing their worship to an ancient deity that can only be identified by ‘Sleep’, who appeared to the band’s lead singer, ‘Vessel’, in a dream.

I know about it just as much as you do, but you’ve got to admit it’s pretty darn cool. But where frantic progressive-metal reins in their expressiveness, moments of fleeting beauty appear so softly in the ambient tranquil of such songs like, Levitate and Give.

The album does not begin to falter though, with elements of rage – maybe due to the lack of worshipping to their inhabitants – driving us straight into Gods and Say That You Will. The full 12-listing of the album ends with a beauty that I can’t stop repeating – Blood Sugar. A chorus of melodic piano, a hymn of vocals and progressive rhythmic art, it’s a worthy contender to end it right.

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If they’re planning on delighting the Gods with this as The Offering, the Vessel, and his collaborative collective, should be mightily satisfied with their efforts.

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Strength and Unity in Music

There is something so humbling and dignifying knowing the sheer strength of a music community. If that’s within your favourite bands niche network or a simple sharing of content from within the same genre, music has ultimately- and will moving forward – brought us together closer to family, friends and future friends to come at your future gigs and concert attendance.

Heed these words I thought were so prolific today:

“Music is love in search of a word.”

Happy Tuesday, everyone. May your week be a happy and healthy one. I will see you over the stretch of this week and the corresponding weekend with samples of music album reviews for your absorbing pleasure.

God bless.

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Twenty One Pilots – ‘Scaled and Icy’ Review

Dynamic duo find their happy place – but falls flat within an empty attempt compared to their past work.

Much like its album name, Scaled and Icy, has flairs of happy-go-lucky fleeting moments, but ultimately feels like a hollow skeleton of their former selves.

Known for their compelling thought-provoking moments on mental health with lyrical ingenuity and complex albums like Blurryface, Scaled and Icy is not even in the same Vessel as their former counterparts.

Awash of hollow prude-pop with Good Day and Saturday, it is somewhat a disappointing return to music from Tyler and Josh. Almost as if they were pressured to release a studio album this year from their label, it is an unimaginative colourful mess, and quite a shame. The only moments to talk about would either be the singles prior to the album, Choker, Shy Away and possibly, Mulberry Street.

I managed to grab a full play-through of the album on my way back from work on the train, and it certainly made the trip a far more disappointing commute.

For me, it is just worthy of an honory mention simply for their legacy, but it is an absent contender within their integral identity.

I’ll be heading back to 2013’s Vessel. Hmu if you agree. If so, see you there.

Sorry boys, just not for me, this one.