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IDLES – “CRAWLER” Album Review

The fourth studio release sees IDLES in a brand new texture – with all the colours we’ve come to love already.

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With a striving lunge forward, CRAWLER strives for a stronger indulgence of reflection. It hones in on a more inclusive approach to delivering songs with moments of interlacing beauty and anger within one another.

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IDLES have never been one to take a step back and reflect on their angsty actions – especially from that of an idled punk band. But ever since frontman Talbot left therapy, he realised he was angry at all the wrong people. Since then, he has been able to create more thought-provoking dramatic ballads that certainly have more depth and feel to them. Forerunner pre-single, The Beachland Ballroom is a prime example of this. Understanding where they are as a band – rather than running through the motions and living in it – they’ve been able to create an album with vivid stories, wild imagination and a sense of escapism into their ever-fixing worlds.

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“It was writing selflessly that helped make it possible. Reflecting. Telling my own story. Not trying to tell everyone else’s story. Not trying to fix the world – just talking about how I am fixing mine.” -Joe Talbot

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Although not featuring the usual raucous rock anthems that shake the walls like we saw in Ultra Mono, it is a refreshing texture to a band that seemed far too brazen-faced to change. It puts the band in a better – and far stronger – place as a sharply-dressed outfit in the world of punk rock music.

You can catch IDLES perform their fourth album works as they strive for a mega UK/Ireland tour in January 2022.

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Frank Carter & The Rattlesnakes: ‘Sticky’ Album Review

Unapologetically chaotic, ‘Sticky‘ is a pressure release sharing talks on the dirty and the depraved during lockdown.

With accommodating – and somewhat feral – guests, enter Frank’s town … if you dare.

Carter and Co are back with their fourth studio album out of the door. Where their last album, End of Suffering was an outcry to mental health and toxic masculinity, this one is more of the good ol’ punk classic of f*ck you and everyone around you. In other words, it’s a fantastic familiarity from this echoic band.

Among Bona fide – and soon-to-be- punk icons of Primal Scream’s Bobby Gillespie, IDLES’ Joe Talbot and electro-punk rapper Lynks, we are slowly entering territory of raw, unequivocal talent as Your Town and Go Get A Tattoo become album highlights championing diversity of rock and slab-stone punk.

This album is just as raw as any – as any IDLES and SLAVES album before them or since. Certainly standing on the shoulders of their punk adversaries, Frank Carter and the Rattlesnakes are paving their own journey.

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My town, it looks like yours
Run down, worn out, all shut doors
Broken windows, empty halls
Where no one gives a fuck at all

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[Note: It’s important to note that during this music video, Frank Carter and Dean Richardson are seen throwing away their prior album End of Suffering. Has the suffering started all over again? Or is it case of simply being fed up with it all and anarchy being the only solution?}