As our attention spans falter, and our music preferences irate, we’re finding new ways to divulge into our music via streaming services and sheer ease of access.
It seems that the radio’s playthrough preferences and inane adverts are being cut out of our music listening as we crave for the instant.
Now, whether we listen more to radio in the car, or in businesses where we have no choice, radio has and is a crucial part of the music industry and how we consume music – radio is a fantastic way of sharing with the creative communities and represents our love for music in a concept that is enjoyable and delectably consumable.
Despite everything, radio is a service we can’t really get with any other music consumption platform and is unique. Not just to its audience, but to its artists the stations play.
Whatever side you’re on, let me know! Radio or Radi-NO?
Drawn from their 2019 debut EP, Strawberry Skies, it emphasises our love of summer, traditional holidays in the sun, and taking life one relaxing day at a time.
The Australian 4-piece brings fantastic contemporary indie flavours and blends of timeless rock that stays fresh in the sunlight. “Something Good” is the epitome of their work so far, as it demonstrates their knack of rock calling and have become one of the best emerging talents in the Aussie country.
Plenty to bring too, with their recent flurry of excitement, Easy Love – which is another timeless indie summer classic.
You could very well argue how oversaturated we are already with summer indie tunes. But, there’s definitely a reason as to why there’s so many compilations abound.
Do you ever feel like you go through the same old music catalogues, playlists and albums day-in and day-out?
Do you have that feeling of drought with your musical palette? Well, fret not, for I have a proposition.
Why not listen to something other than what you’re used to?
Be it a genre you’re not familiar with or an artist you dread, stick it on and delve into the plethora of the unknown. Even if it just for an hour and you come away with a little bit of knowledge about something you didn’t know an hour ago, that is equally fine.
For me, I’ve recently been diving into the classics of hip-hop, rap and more importantly, the mysteries with the likes of Tupac Shakur and Biggie Smalls.
Notorious in not just their alter-personas as international music artists, but notorious for their sounds they made and their power-house profile it brought to the scenes of East Coast hip-hop and “Gangsta rap”. Although they were taken from us by a scenario we’re all too familiar with, within the crevices of America, the sheer impact they had with us in the world paints us a picture how iconic these two were and are.
Of course, this led on to the mightiest who are still mighty in their corresponding leagues – Eminem, Jay-Z and Kanye.
So for today’s Sunday – where I usually request for you to take out your favourite Sunday chill playlist with your morning (or afternoon) coffee, instead, listen to something different and learn something new along the way.
Hope your week upcoming is just as prosperous, folks. Take care of yourselves.
Fancy a dabble in new rock? Take a gander at the list I’ve compiled below for the most recent rumblings of rock over the past weeks of April.
… The sheernumber of female-fronted rock bands is a sight to behold in the music scene right now …
SHY AWAY – TWENTY ONE PILOTS: Exciting eccentrics for the duos’ return.
SMILE – WOLF ALICE: Dark exploits for the rock-indie favourites; another album to look out for this year from them.
LA DI DIE – NESSA BARRETT, JXDN: Romantic-revenge anthem drawing on both rock and hip-hop.
BOILERMAKER – ROYAL BLOOD: Thumping funk-rock from the Brighton duo, altering their course for another rumpus year in music.
VERTIGO – ALICE MERTON: Mystery-abound new stuff after being so quiet for two years.
ORDINARY – YONAKA: What we’re used to from these lot: loud and chaotic.
WEAPON – AGAINST THE CURRENT: New emphatic returning from another female-front rock collective.
BAD PLACE – THE HUNNA: One of the most consistent rock tribes right now; altering sounds to a down-tempo electronic style.
NERVOUS – WHILE SHE SLEEPS: Recent album release in 2021, “SLEEPS SOCIETY” sees While She Sleeps make the top-ten list favourites this week with this hungry power-house of a song, featuring Simon Neil from Biffy Clyro.
NUMB – WATERPARKS: Ambitious rock-pop workers of “Stupid For You” return this year for another album release in 2021 since their 2019, FANDOM.
Released in April this year, their debut album reflects on humble beginnings, emotional dreams, and have since become one of the most exciting and vital bands of the new decade.
But after catching their big break; was it simply the luck of the draw? What makes them grab a number one at debut level as opposed to the thousand other artists who just … don’t?
Above all else, I think it majorly just falls down to the band being in the right place at the right time.
Their debut album, W.L, which was released on the 2nd of April this year, has elements of a perfect music fairytale. The album brings glossy, flourished and instantly catchy indie-rock hooks that resonate with the grandeur of UK music. Even future classics, Elephants and Juan Belomonte make you hesitate and think to yourself, “have I heard this before?,” with them being prominent in style and pizzazz. But for this story, it is more than likely you have listened to this before, yes.
After grabbing ad campaign success with beer powerhouses, Strongbow and titans of sports, Electronic Arts within the FIFA21 soundtrack, it is safe to say you’ve heard the sound of The Snuts before one way or another. Now, challenging the top spot with their debut, they’ve reached unfathomable heights in such a short span of time.
When a band skyrockets like they’ve done, it’s always important to think why. That way, once you get an understanding of how they’ve managed to grow so emphatically, our favourable bands and artists with similar music goals, can simply do the same.
Now, I know it’s easier said than doe per se, as the industry is as unpredictable as the UK weather, but it shows the precedent of how the music industry works and how us as consumers work. It makes me want to spit and squabble at the music industry with how it works internally because, there will be music artists who are just as talented, just as hard-working and dedicated to the cause, and they will not reach the same numbers as The Snuts would do in the span of the year they had. Hell, in the same in five years.
Truth be told, their music is delightfully fun, catchy and downright remarkable if you’re a fan of other indie-dwellers like Blossoms and The Amazons. But it’s not overly complicated or showing anything we haven’t heard of anything before, in fact – it’s quite simple. It’s just tapping into the right audiences, the right “holes” so to speak, and us as consumers will do the rest and play the music.
It’s simply sharing our love for an upcoming UK band among our friends because we’re proud of our music. A Scottish band, no doubt.
A popular trend-setting cause people can willingly get behind. #SNUTSFORNUMBERONE. The proof is in the pudding.
If the four lads from Whitburn pull this off, they will become the first Scottish band to deliver a number one debut album in 14 years. The last band that did that was The View in 2007 – and they haven’t been prevalent in the industry since 2015.
So far, they have topped the score with both vinyl sales and streaming since its release. The question is, they can maintain the speed and claim the top spot from Demi Lovato? Find out tonight.
Emphatic in style and breaking records, Scottish bands certainly don’t make music by halves. They’re certainly out to prove a point and they’re not doing a bad job going about it.