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Song of the Day: Blossoms’ Honey Sweet

Sanity returns to our daily lives as we see civilisation returning, as we escape our caves, quarrels and fester in the sunlight. There’s no fitting song for the redemption of waving goodbye to the pandemic this year, than Blossoms’ back-catalogue.

The epitome of summer in the 80s, it showcases sweet nostalgia, flowery vibes and wonderful moments to cherish.

I’d recommend blending in with the crowd by listening to the remainder of the self-titled album, which they first released way back when in 2016. We were just beginning to get to grips with them as a band back in 2016, but now, they are a fully formed indie band making their marker in summer festivals around the world.

A bloom worth watching – Blossoms.

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We’re invested in music. Are you?

We are invested in music. We listen to it. We speak about it. We read and learn from it. From its corporate takings at the record labels, to the commercial hub of live music nights, to the irrespective opinions of an album, we are all invested in music one way or another. And we all love it. I, for one, don’t know anyone in my social bubble who has a downright hatred or distaste for music. Genres, sure. But, not music in general.

It is a sanctuary of like-minded individuals to share something in common, and if you’re unable to start a conversation, music is the best way to start one.

So, if you’re invested in music like me and thousand of others across the world, invest in music but invest in music the right way.

Invest in shares with independent record labels, promote the journey of up-and-coming artists and invest your time in those worth investing. Learn about royalties and how artists earn their stock, learn about the live music industry and how crucial it is to us musicians. Learn more because knowledge is power!

The more you learn, the more you’ll benefit from the powers of music. And if anything, you’ll no doubt appreciate your favourite musicians’ work and music more, the more you learn.

Here’s some crucial links to get you started:

musicbusinessworldwide.com

musicweek.com

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Let’s Talk: Will we ever run out of music?

Liable lawsuits, copyright claims … and only so many notes to play with – will we ever run out of music?

It’s an important topic to discuss after all – as popular music confirms to the usual and sticks to a particular format of notes because it works, will we see more and more music take “inspiration” from those before them and ultimately wind up a disarray among other artists?

I always feel that there will come a time when – certainly for the popular genres – we will indeed run out of conformity and the comfortable. Here, we will more likely re-introduce old genres forgotten or venture into unknown terrority of writing music we’ve never heard of before. Even that will be a mighty feat to comprehend. After all, there is only so many notes, right?

It is still fairly respectable that these music artists and their corresponding songwriter teams, are still drudging up songs that do not formally slip into songs that have already been made. There is certainly an adaptation of the rules at play here. With so many popular songs within the same key, same note configuration and ideas, I’m surprised that this hasn’t happened already.

Either way, let me know your thoughts below on this one.

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I’M BACK! What have I missed?

Hey folks, I’m back to writing today. After the backlog of sifting through my most frequently written album reviews from Tame Impala and Ben Howard, I’m back today on Easter Sunday of all days writing up music tellings and musings for your visual pleasure.

So, what have I missed? Let me know any juicy gossip of your own ventures, stories or comments below.

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Artist Spotlight: cleopatrick

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New rife rock middle-ages mafia.

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Fresh, bold and stark-raving mad, cleopatrick are a worthy accompaniment to murder.

Not a murder in the ordinary sense of the word, no. The murder of a genre we once knew as rock – a genre which had become far too complacent with the drip-tap of pop trickling through its cracks. The Ontario best-buddies hard rock duo are becoming the known from the unknown with their blistering slap-in-the-face boom that makes Royal Blood‘s new music work of Limbo sound like a pansy. Although dressed as the fashionable duo – similar to those as Royal Blood and the White Stripes – their music has a beautiful sense of youth, hostility and freshness that we’ve not really heard before.

Hoping to collate their work into a debut album this year – rather than the feral singles we’ve received so far – they’ve forewarned us not only to watch this space, but to start chipping away their mark within the rock halls of fame too, as they’ll soon be entering them.

Anarchic favourite hometown, explosive GOOD GRIEF, shrill-thriller of youth and doom-and-gloomy sanjake, top the bill of the band’s extent to writing future-cult classics – and we can only imagine there’s room for more.

Rock duo have known each other since they were 4.

More importantly, they have shown us they can’t just create quick-biters worthy of four minutes or so – but can create the dirty lingering types, too. Divining inspiration from the likes of Frank Carter & The Rattlesnakes, belly button blues is an instant favourite that tops the lot for me.

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My friends are wasted
And I don’t even care
I’m in my basement
Texting girls that aren’t even real
My youth is gone and I know it

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youth, cleopatrick

After hearing their most recent, THE DRAKE, which was released in early March this year, we can certainly expect their debut in the coming months – especially after picking up so much traction after their first EP via “14” in 2016.

Pulled straight from the archives of an old hometown gig they played, THE DRAKE‘s official video perfectly showcases the rampant display of their telling of a high-school bully story.

It’s all quiet in the cleopatrick camp for now … but we’ll hear the notorious thumps de thumps soon I’m sure.

Keep up to date with Cleopatrick HERE