Despite the portrayal with their inquisitive name, Everything Everything don’t like to repeat the same thing twice.
Making music with purpose is music worth listening. Beautifully poetic and provocative, the indie-rock dwellers have been creating unique and out of the ordinary music since 2010. Ever since I picked up Man Alive, I knew I was dealing with a band that rightly slotted into their own genre of sorts.
Big-tune brilliance that tease and taunt you with their odd compositions and structure, Man Alive is a brilliant album that I still enjoy to this day. The shrill beauty of the vocal range to the exquisite use of electronic samples to the frantic indie-familiarity of the plectrum on electronic guitars – all four components all shape up to an extraordinary band.
Shortly after their debut, Arc landed in 2013. Still emphatic with their experimental sounds enough to throw you in the lurch, Arc had a more laid-back approach, certainly taking appreciative notes from their smooth counterparts of Alt-J’s An Awesome Wave that came out a year prior.
Their name really started to shine above the rest when they released Get To Heaven in 2015.
Warm, funkadelic and beautifully written, it featured Distant Past, Get To Heaven and Regret that ultimately catapulted the band to the next level of warranting a bigger fan base than they already had. They kept up with their momentum with A Fever Dream in 2017.
In an otherwise opposing force to Get To Heaven, drawing inspiration from Yorke’s Radiohead, the album still managed to bag a top 10 in the charts. Their most literate work yet, RE-ANIMATOR was released last year. In what may call a new creative chapter for the band – after signing with their own label AWAL – it trawls on electronic masterminds of the ’80s, with Arch Enemy, Planets and Violent Sun, becoming the stellar stand-outs.