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Machine Gun Kelly’s Return: ‘Papercuts’

In an apt return to the world of punk, Machine Gun Kelly has come back to the threshold with his latest single, ‘Papercuts.’ Maintaining the status quo, Kelly rightfully rejoins with drumming prodigy, Travis Barker has ‘Papercuts‘ embarks on a new perilous journey into the pop-punk scene. Again.

After the enormity and success of his 2020 affair of Tickets To My Downfall, he’s righteously back with a second helping.

With a cleaner production, and a deeper depth of perception, it portrays a deeper distinction of artist and music.

Although not as prolific as his original singles from TTMD with the likes of Bloody Valentine and Concert For Aliens, with a not-as-prolific catchy chorus equipped with it, it brings a telling sign to Coulson’s approach to his second punky album.

If it brings the same fantastic anarchy as TTMD, then I’m all for it.

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WILLOW – ‘lately I feel EVERYTHING’ Album Review

As another day passes, another album project involves the punk icon of Travis Barker. It almost goes without saying that Barker will be involved in some punk cross-collaboration with any artist who seems to afford him. There is certainly clique of quality that resonates with him and I’m fairly confident that certain people may only listen to new punk decorum if Barker is on the throne.

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WILLOW’s ‘lately I feel everything‘ is no exception. Shedding away her bubble-gum pout, and flashbacking to her involvements with her mother’s nu-metal band Wicked Wisdom when she younger, she brings along a colossal tarnishing of pop-punk and emo of fistfuls as transparent soul, GROW and Lipstick awaken this punk beauty out from her childhood and into mature musicality and and an ever-growing stage presence.

It’s worth mentioning that the album is not all fast and blurry. don’t SAVE ME and 4ever bring tasteful breaks in the incessant album that add depth and further introspective thoughts to the world of Willow. The transcendent of pop-punk are ever-present too with the dark, drull tones from the likes of The Cranberries and Nirvana crawl through, which is even better for me.
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She also brings childhood heroes of Avril Lavigne and of course, Barker along for the ride.

Although somewhat cringey at times, that somewhat fall flat in places, its pop-punk. Through and through. There’s no disputing that and if you like a bit of pop-punk easy on the ears musically, then look no further.

And it’s another Travis Barker project to add to the roster. Score.