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Sleep Token – “This Place Will Become Your Tomb”: Album Review

Ethereal and chaotic all swirled into one complex creation, the shrouded mystery of Sleep Token return with their second highly anticipated album, aptly named This Place Will Become Your Tomb.”

Although not nearly as prevalent in the castings of metal as their debut of Sundowning had in 2019, TPWBYT still harks back to the chaotic rage-inducing of Gods and Offering with Alkaline and Hypnosis in this second attempt of divinity.

Where it lacks in overall oomph for a metal/rock album, it makes up for its quality through experimentation and electronics. One thing I certainly love about bands is when they don’t exactly conform to their first sounds from their debut – and start to branch out to new avenues and new possibilities of drawing new fanatics.

Lead singer Vessel has a perfect gothic tone to his voice – streaked with a guttural voice and a deep monotone to make the ocean weep. With it, comes to the experimental value of Sleep Token – inclusive of creepy piano, programmed beats and delectably delicious guitar grooves – which personally, I love. It may take a listening to get the other metal-heads on board, but I don’t personally mind the new image and poetic enchantment they’re bringing to this work.

My favourites on-repeat are certainly pop-inducing Mine, heavy-herald of Distraction and pre-amble of The Love You Want.

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The other-worldly concept of this band is simply divine, and I can’t get enough of it.

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I may very well hark over to The Night Does Belong To God every once in a while, but damn does it get me more excited to see them live next year.

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Album of the Summer: Arlo Parks’ Collapsed in Sunbeams

Despite it being a fairly recent release as it came out earlier this year, Arlo Parks’ Collapsed in Sunbeams is a perfect storytelling soundtrack of luscious expressive indie-pop that encompasses the magnificence of British summer beautifully.

I had presumed that I had done an album review to showcase this beautiful album, but it appears not. Fear not, if you wish for me to review this album, let me know and I’ll get right on it. It is a perfect Summers’ collection after all. It is very fitting as we enter record-breaking heatwaves on our British shores. I’ll include the necessary links to have a listen to the album in full before you glance over this review of mine. Thanks all.

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YONAKA – ‘Seize The Power’: Album Review

Don’t Wait Till Tomorrow, get listenin’.

Brash and brazen English-quartet, YONAKA have returned with their second album release, Seize Your Power. With no attempts to slow down after their triumphant debut of Don’t Wait Till Tomorrow back in 2019, the rife punk-ists return with a vengence for heavy riffs and hard punches as Call Me A Saint and self-titled, Seize Your Power takes the band down a path of eclectic electronica, which ultimately shapeshifts into some of their most powerful songwriting they’ve done so far.

Aired with a mist of maturity within its run-through, Seize Your Power demonstrates the bands’ ability to bend their sounds to the current, but still keeping it fresh within their own sound.

Although not as boomy and nowhere near as rocket-fueled as their debut – and no where near the same running time – it still holds its head high however, with a sense of satisfaction of finally finishing. It may be a far cry from the frenzy mish-mash of Don’t Wait Till Tomorrow, but this does come with its own advantages … With the band beginning to gain traction through staying prominent, maintaining track records and creating euphoric music, it seems that they are starting to get it.

Clique can be shafted, though. Big no from me.

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Jamie Cullum: Profession of Jazz

Upending the notions of jazz, Jamie Cullum is the splash of colour that redefined the world of melodic pop.

Surly vocals and elaborate chops on the keys, Cullum has achieved critical acclaim for his vibrant mix of originality. His depth of character is fully flourished in his music too, with his ability to swoon us with emphatic ballads to witty pop in a matter of song listings. Cullum first broke into the scene back in 2002 with Pointless Nostalgic and 2003’s Twentysomething. Dazzled with classic retellings of jazz classics and emotional originals that slotted beautifully within each, Twentysomething broke the foundations of the complexity of jazz and Cullum became a household name over night.

His complexion to intermingle within genres didn’t stop there though. Cullum subsequently released Catching Tales in 2005 and The Pursuit in 2009, which embraced his soft rock – pop progressive ballads and careened beautiful showings of his songwriting material with bold-and-brash Get Your Way, witty ramblings of Nothing I Do, and of course, sombre ballad retellings with Love Ain’t Gonna Let You Down.

For fans of both enjoyable soft pop work and the establishment of jazz with orchestral styles, Jamie Cullum is a singer-songwriter for the ages. His most recent release in 2o19, Taller, established Jamie’s talents and allowed him to break the top ten in record sales. My favourites from this record have to be the fancy-and-fast of Usher and the enchanting dazzle of Marlon Brando, that is seen to be on the B Side for this one.

Prolific in sound, voice and immense piano chops, Jamie Cullum is a redefining motion in the industry.

Cullum ultimately cements himself further as a music anomaly every new record he releases.