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Your Next Artist: Too Many Zooz

An origin story for the ages. A cacophony of interloping saxophones, trumpets and low bass growls of whatever else. A perfect audio salad.

Derived from the hustle of bustle of New York’s subways busking to the delights of the uninterested congregation of the capitals’ inhabitants and commuters, Too Many Zooz bring a phenomena to the world of music that is nothing but a joyous occasion to get involved with.

Essentially, they smash alternatives of jazz, funk, Afro-cuban rhythms and EDM house music to bring a new eclectic style of the weird and wonderful. Refreshingly chaotic, they have trawled from the steeples of New York’s subway system to the glorious ground-level venues across a tour of Europe in May 2022.

With this tour, comes a huge following of admiration and fanatic frenzy ever since they first uploaded to the world of YouTube. Charting millions of views with their brazen public performances, they are certainly a force to be reckoned with – and it looks like they have no intention of slowing down anytime soon.

Escapades of Warriors, Pink Yesterday and Subway Gawdz bring with it a crisis on our hands. Why on Gods green Earth is there no other bands like this? Thank God for Too Many Zooz.

So. damn. fun.

http://toomanyzooz.com/

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Song of the Day: Snarky Puppy’s Shofukan

WELL, this series was meant to be surrounded in lush tropics as we aptly name it the Summer Song of the Day, but as we’ve had our summer for all but three days with our familiar friend, rain returning to our lands, I’ve had to sink back to the elusive name of Song of the Day.

This time, it’s the garnered and adventurous funk-fusion mega-band that simply jam and stick it to the man with their catastrophic flexes of making such diverse and richly compelling music. Led by bassist, Michael League – and one of my favourite drummers to listen too, Larnell Lewis – Snarky Puppy are one of those big-league big-bands that are simply not worthy to miss out any music they’ve made – – future or past.

Snarky Puppy released their twelfth studio album, Immigrance in 2019, a chop-fanatic focused of dark limerick that boils well within their album counterparts of 2012’s GroundUP and 2014’s We Like It Here, an album that showed admiration for the city of London, in where it was aptly recorded in full-length, too.

This is the album that features our apt song of the day, too. Shofukan. Stream it on any service or buy it wherever available. I can ensure you of a pleasurable musical experience, my friends.

Not to mention their 2020 live album at the Royal Albert Hall that earned them an esteemed Grammy Award the following year for Best Contemporary Instrumental Album.

The fruity ensemble are set to return to live gigs and shows around America in September 2021 with more dates to follow, I’m sure.

https://snarkypuppy.com/tour

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Jamie Cullum: Profession of Jazz

Upending the notions of jazz, Jamie Cullum is the splash of colour that redefined the world of melodic pop.

Surly vocals and elaborate chops on the keys, Cullum has achieved critical acclaim for his vibrant mix of originality. His depth of character is fully flourished in his music too, with his ability to swoon us with emphatic ballads to witty pop in a matter of song listings. Cullum first broke into the scene back in 2002 with Pointless Nostalgic and 2003’s Twentysomething. Dazzled with classic retellings of jazz classics and emotional originals that slotted beautifully within each, Twentysomething broke the foundations of the complexity of jazz and Cullum became a household name over night.

His complexion to intermingle within genres didn’t stop there though. Cullum subsequently released Catching Tales in 2005 and The Pursuit in 2009, which embraced his soft rock – pop progressive ballads and careened beautiful showings of his songwriting material with bold-and-brash Get Your Way, witty ramblings of Nothing I Do, and of course, sombre ballad retellings with Love Ain’t Gonna Let You Down.

For fans of both enjoyable soft pop work and the establishment of jazz with orchestral styles, Jamie Cullum is a singer-songwriter for the ages. His most recent release in 2o19, Taller, established Jamie’s talents and allowed him to break the top ten in record sales. My favourites from this record have to be the fancy-and-fast of Usher and the enchanting dazzle of Marlon Brando, that is seen to be on the B Side for this one.

Prolific in sound, voice and immense piano chops, Jamie Cullum is a redefining motion in the industry.

Cullum ultimately cements himself further as a music anomaly every new record he releases.