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Living Room’s Lo-Fi Magic: ‘After The Rainbow’

Adorning a lo-fi portfolio for the ages, German sound engineer, DJ and producer Living Room is a rare musical delight for thos avid listeners of the low-down. Briefly described as a “soundsystem melting pot” he transcribes the work of classical in the fledgings of sultry jazz and rippled electronic music into flawless routines of work.

Whether it be multi-cultural soundscapes, sunny lounge music or an outer body experience, The Living Room is quintessential respite with that German proficiency and expertise to boot. If it’s one music trophy of his to explore, its his elusive 2021 album, After The Rainbow.

Stunning on the eyes and the ears, it features prominent singles of Oceansplash and Inspired by the Ocean. An emphatic turn-the-tide lo-fi compilation, it’s a perfect listen.

This is Living Room, and he is my Artist of the Week.

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Coldplay: Is an “Eco-friendly World Tour” a Pointless Expedition?

In a new universal chapter of sustainability for the band, Coldplay are set to go ahead with their first world tour in five years next year all part of their eco-friendly plans of reducing their carbon footprint as a music collective.

But … why even tour at all?

That’s the question. Recently, Chris Martin confessed that this was the ulterior backlash that they’ve been receiving since announcing this tour. Much to the satisfaction of those doubters, he answered quite simply, because he wants to. Which, much to the bemusement of others, I totally get. It’s been over five years since they last toured and the true connection you can feel between band and fan in a live setting is a fantastic moment that they sorely wouldn’t want to miss for another few years.

Besides, huge musicians do not even attempt to be eco-friendly or even remotely sustainable when they do their own world tours, so I say I’m all for it if bands wish to try it out.

Despite the band still travelling in their own private jets – which is, slightly ironic – Martin has informed us all that us as fans will be on “kinetic flooring,” which basically means that we’ll be powering the gig – lights and all – ourselves with our frantic movement and fanatic screaming.

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“The more people move, the more they’re helping. You know when the frontman says, ‘We need you to jump up and down’?

“When I say that, I literally really need you to jump up and down. Because if you don’t, then the lights go out.”

– Chris Martin

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For a carbon neutral tour tackling climate change, they also plan to:

  • provide best environmental practices like installing aerated taps and low-flushing toilets.
  • Set itself will be made of materials with perfect environment credentials like bamboo
  • Lighting effects have been “modified” to be more energy efficient
  • An app will allow fans to plan their journey with lowest possible emissions – and even get a discount code to use in the venue if they follow through with it.
  • The big ticket: Coldplay themselves will plant a tree for every ticket sold. Based on their last tour, that would work out to be 5.4 million trees around the world.

With it being a truly “atmospheric” and “ethereal” album set to be released tomorrow by the name of Music of the Spheres, the eco-friendly tour will hopefully reflect the true idealism of the album when the guys created it.

The tour is set to start in March next year in Costa Rica, a country which is known for the highest rates of renewable energy generation across the world.

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Sleep Token – “This Place Will Become Your Tomb”: Album Review

Ethereal and chaotic all swirled into one complex creation, the shrouded mystery of Sleep Token return with their second highly anticipated album, aptly named This Place Will Become Your Tomb.”

Although not nearly as prevalent in the castings of metal as their debut of Sundowning had in 2019, TPWBYT still harks back to the chaotic rage-inducing of Gods and Offering with Alkaline and Hypnosis in this second attempt of divinity.

Where it lacks in overall oomph for a metal/rock album, it makes up for its quality through experimentation and electronics. One thing I certainly love about bands is when they don’t exactly conform to their first sounds from their debut – and start to branch out to new avenues and new possibilities of drawing new fanatics.

Lead singer Vessel has a perfect gothic tone to his voice – streaked with a guttural voice and a deep monotone to make the ocean weep. With it, comes to the experimental value of Sleep Token – inclusive of creepy piano, programmed beats and delectably delicious guitar grooves – which personally, I love. It may take a listening to get the other metal-heads on board, but I don’t personally mind the new image and poetic enchantment they’re bringing to this work.

My favourites on-repeat are certainly pop-inducing Mine, heavy-herald of Distraction and pre-amble of The Love You Want.

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The other-worldly concept of this band is simply divine, and I can’t get enough of it.

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I may very well hark over to The Night Does Belong To God every once in a while, but damn does it get me more excited to see them live next year.

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YONAKA – ‘Seize The Power’: Album Review

Don’t Wait Till Tomorrow, get listenin’.

Brash and brazen English-quartet, YONAKA have returned with their second album release, Seize Your Power. With no attempts to slow down after their triumphant debut of Don’t Wait Till Tomorrow back in 2019, the rife punk-ists return with a vengence for heavy riffs and hard punches as Call Me A Saint and self-titled, Seize Your Power takes the band down a path of eclectic electronica, which ultimately shapeshifts into some of their most powerful songwriting they’ve done so far.

Aired with a mist of maturity within its run-through, Seize Your Power demonstrates the bands’ ability to bend their sounds to the current, but still keeping it fresh within their own sound.

Although not as boomy and nowhere near as rocket-fueled as their debut – and no where near the same running time – it still holds its head high however, with a sense of satisfaction of finally finishing. It may be a far cry from the frenzy mish-mash of Don’t Wait Till Tomorrow, but this does come with its own advantages … With the band beginning to gain traction through staying prominent, maintaining track records and creating euphoric music, it seems that they are starting to get it.

Clique can be shafted, though. Big no from me.