This is Emarosa: a glittery zeitgeist of ’80s synth-wave roaming the halls of nostalgia. If you think Scotts’ Jackson-inspired Yow! on breezy opener Preach is not a stalwart sign that you’ve traversed into the ’80s, then I don’t know what else to tell you. I thought the dreamy Peach Club in 2019 took the biscuit…
From the depths of ethereal indie-folk, The Art of Forgetting sees Caroline Rose is at her own most introspective and her most honest. The art of evolving artistry comes with the trope as a musician. To stay ever-present in music, artists strive forward with that desire looking for the next and new. With Caroline, it…
A desperate attempt to finding connection in an otherwise impossible world, is a marking this Brighton quartet wear well. A decadent cult-rising from their self-titled debut with, I Only Hurt The Ones I Love to the breakthrough lashing of I Like The Way You Die on second, Written & Directed, comes the bands’ third; an…
Widely regarded as the bands best, In Rainbows defies all odds in the creation of an achingly beautifully album. But why do many see it as the best? If you want to get a good understanding of how his album was regarded, you needn’t look further than its numbers in sales. A true personification of…
As we wave goodbye to the summer solstice of musical delights; we say hello to the autumnal season of lo-fi and cardigan hot chocolate with the next segment of new music friday: Forget Me: Lewis Capaldi‘s first music in three years brings about a formula destined for melancholic familiarity from the lovable Scotsman. Another post-punk…