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Why do we hate Coldplay?

We’ve been engrossed in Chris Martin’s charade of swell pop contemplation since 2000.

Running strong for over 20 years in the industry, they have become one of the biggest bands in pop phenomena history – charting unknown territory and raising to global stardom, all the raising critical acclaim for emphatic albums that hold beautiful pieces of music within them.

But what’s happened? Over the years, it seems we have grown tired of the same formula and the distastefulness of writing burnt-out pop – and Coldplay are next in line. It seems marginally unwarranted and frankly, undeserved for a class act of musicians who simply make music to make us happy.

Selling 75 million copies worldwide and selling sold-out arena shows and tours , they still have a hardened fan base that will simply love anything they produce. I mean, anything.

But, those lot who sneer at the prospect of Coldplay and their music – are they right?

I have seen them live and avidly love to see them doing so well, especially after growing up with the first three albums they made. But, it seems I have fallen off the radar with such a colossal band and instead, have turned to those who are simply new and upcoming. The news of new music from Coldplay doesn’t fill me with that eager excitement you’d want from a band you’re a fan of. For me, I don’t think they have their shine or edge they used to have during the 2010s. Their new album has a sense of pretentiousness about it and doesn’t have a majorly beautiful or uplifting song within the exhausting song-list. And frankly, it’s off-putting. After running for so long at the top of their game, are they set to be toppled? It wouldn’t be the first time – nor would it be a rare occasion for a huge, successful band to simply hang up their sticks and retire, satisfied with what they’ve achieved in such a hot-climate industry. The case of scraping the barrel really comes into play, right? Especially after the displays of Everyday Life. Or will they simply let the uncharted brand of the band carry them until they’re 70? It wouldn’t totally surprise me if a band like Coldplay would be next to simply shut up shop and sell their song-writing rights to a company for millions.

Now, whether you have been a fan of Coldplay or never were from the start, I’m intrigued into what you have to say about a band like Coldplay.

Has their reputation of “boring” and “stale” finally caught up with them? Or are these merely transfections from salty fans and artists who haven’t received the same acclaim as these boys have done?

Either way, let me know.

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UK Festivals issue “red alert”: insurance talks breakdown

In news that is not utterly shocking to anyone, UK festivals have issued a “red alert” after many festivals cancel, postpone and pull out plans for returning in the summer.

This comes after the talks with the Government break down regarding festival insurance, if they do happen to cancel again due to COVID, as the roadmap to return is ultimately delayed and does not place us where we expect to be.

Yet again, the UK festivals are facing unwarranted certainty and confirmation of anything set to go ahead this summer – not even the support and structure of cancellation insurance if things do not go ahead. Eeesh, we’re seeing a similar pattern as to what we saw last summer, too.

A projection from AIF (The Association of Independent Festivals) reveals that 76% of the remaining festivals left in July and August could cancel too, if no immediate action is taken to help protect these events. It seems there is simply no appetite or mere desire to save such events – despite providing countless streams of revenue each year, not just for the UK music industry, but for the country’s economy in general.

It certainly seems that the lack of action just resembles the Governments’ desire to act fast on such events and really demonstrates just how far down the list UK music festivals, gigs and local grass-root venues are.

There may have to be a rebellious act of courtesy or restriction in the streets again near Parliament, if these are to even be raised in the House. Time will tell if action is set to be taken or not, because if they don’t receive the much-needed insurance and cancel in the coming weeks, the sheer loss and weight of cancelling such events for another trading year, may not see some of our beloved festivals ever returning to our fields again.

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Song of the Day: Strabe’s Best Worst Year

No other song in the world will demonstrate the despair – and sporadic hope – we’ve been feeling this year from the last.

The true epitome of music for the summer, Strabe’s Best Worst Year is the only second release for the band, and it’s the one we’ve resonated with most.

For good reasons, too.

The pensive lyrical decisions, the funky guitar twangs throughout, and the ulta-electro beat that fashions it for the perfect bop, it is a titan of a track for summer anthems and requires your attention immediately.

A humble track from such a humble artist that is not been formally known or heard in the vines since 2019 – since this release actually.

The temptations of an amazing road trip is all too much, and you can be sure that this titan of a track will most certainly tip you over the edge. I’ll soon be hearing tales of how this song inspired a mass population to drop everything and arrive at the beach in one swoop.

Get those swimming shorts from the top shelf, because you’re going to be gone for awhile.

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Nebula Festival: The First ONLINE Music Festival of 2021

This weekend (May 1st and May 2nd) enjoy the art of entertainment with a whole host of rising bands, impressive acts and obsessive songwriters.

All streamed solely from Facebook and Zoom, Nebula Festival is encouraging the will of live music – despite being in a pandemic that prevents such things occurring in the real world.

It not only pumps the enthusiasm for musicians, audiences alike but also pumps the enthusiasm for a likely return to usual industry business in the summer, too. Whether that be with the usual proceedings or not, we’re all looking forward to enjoying a hardened local pint while listening to a hardened local band for accompaniment. The perfect duo.

Either way, be sure to check their colossal live stream across this weekend via the link below – even if it’s just a 5 minute check-up..

http://nebulafestival.com/

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Royal Blood – ‘Typhoons’ Album Review

Mike Kerr and Ben Thatcher: Royal Blood

After a 4 year hiatus from their rampant, aptly-named follow-up of How Did We Get So Dark? and Mike’s rise from his struggle with the rock ‘n’ roll life of alcohol addiction … they blow off the cobwebs …let a little light in … and develop a fresh take on delectable dance-floor grooves with their highly anticipated third album, Typhoons.

Who said elements of Daft Punk would work so well with the sounds of Royal Blood, eh?

Although not featuring the same angst and bitter troubles we saw on the two albums prior, Typhoons brings a certain shine to their musical palette of still finding ways to create anthem-pleasers, but not having to always resort to the moods of their eponymous debut. While this may create some disappointment among fans as they wish for more of the same, Typhoons is a true tale of rising from your own self-destruction from “flying too close to the sun.”

An excess of redemption and solace, Typhoons packs the punch in another twisting tale for this Brighton band.

After the befalls of what a rock ‘n’ roll life bought him with alcohol, Mike started on the road to recovery – all to find his sense of purpose again in writing music.

——-

You made me believe I could change
That’s why you’re one in a million and one

Million and One

——

Life is hard when you’re losing, nothing easy’s worth doing
Save yourself, don’t throw in the towel

-Hold On

——

With it, comes a redeeming of a band once lost, a splash of all-important colour and and still, a rampant discography listing once again that will no doubt shake the timbers of the arenas they are planning on performing in the Spring of next year.

At first, I had my doubts and fears of a band possibly resorting to the comforts of their softer side. Especially how big the band had gotten with their elemental nature and their dark presence in the past – – but the album has a flair of creativity that honestly was not expected from me.

Mike’s tales of struggle are littered throughout this album with Oblivion discussing losing his way with “fire in his lungs” and the demons that bring with bad habits in Who Needs Friends. The noteworthy guitar/bass combo and the beautifully simplistic AC-DC-inspired drumming is still prominent and won’t ever dissipate, of course.

But, Typhoons shows us a side to the Brighton duo we haven’t really seen as of yet. Raucous where needed but still featuring those new twists of dance-floor grooves in Million in One and Mad Visions, it is the next strongest tale for the story of Royal Blood.

Wishing to learn more about Royal Blood?

Discover more:

TYPHOONS: The Evolution of Royal Blood