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Royal Blood – ‘Typhoons’ Album Review

Mike Kerr and Ben Thatcher: Royal Blood

After a 4 year hiatus from their rampant, aptly-named follow-up of How Did We Get So Dark? and Mike’s rise from his struggle with the rock ‘n’ roll life of alcohol addiction … they blow off the cobwebs …let a little light in … and develop a fresh take on delectable dance-floor grooves with their highly anticipated third album, Typhoons.

Who said elements of Daft Punk would work so well with the sounds of Royal Blood, eh?

Although not featuring the same angst and bitter troubles we saw on the two albums prior, Typhoons brings a certain shine to their musical palette of still finding ways to create anthem-pleasers, but not having to always resort to the moods of their eponymous debut. While this may create some disappointment among fans as they wish for more of the same, Typhoons is a true tale of rising from your own self-destruction from “flying too close to the sun.”

An excess of redemption and solace, Typhoons packs the punch in another twisting tale for this Brighton band.

After the befalls of what a rock ‘n’ roll life bought him with alcohol, Mike started on the road to recovery – all to find his sense of purpose again in writing music.

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You made me believe I could change
That’s why you’re one in a million and one

Million and One

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Life is hard when you’re losing, nothing easy’s worth doing
Save yourself, don’t throw in the towel

-Hold On

——

With it, comes a redeeming of a band once lost, a splash of all-important colour and and still, a rampant discography listing once again that will no doubt shake the timbers of the arenas they are planning on performing in the Spring of next year.

At first, I had my doubts and fears of a band possibly resorting to the comforts of their softer side. Especially how big the band had gotten with their elemental nature and their dark presence in the past – – but the album has a flair of creativity that honestly was not expected from me.

Mike’s tales of struggle are littered throughout this album with Oblivion discussing losing his way with “fire in his lungs” and the demons that bring with bad habits in Who Needs Friends. The noteworthy guitar/bass combo and the beautifully simplistic AC-DC-inspired drumming is still prominent and won’t ever dissipate, of course.

But, Typhoons shows us a side to the Brighton duo we haven’t really seen as of yet. Raucous where needed but still featuring those new twists of dance-floor grooves in Million in One and Mad Visions, it is the next strongest tale for the story of Royal Blood.

Wishing to learn more about Royal Blood?

Discover more:

TYPHOONS: The Evolution of Royal Blood

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Artist Spotlight: cleopatrick

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New rife rock middle-ages mafia.

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Fresh, bold and stark-raving mad, cleopatrick are a worthy accompaniment to murder.

Not a murder in the ordinary sense of the word, no. The murder of a genre we once knew as rock – a genre which had become far too complacent with the drip-tap of pop trickling through its cracks. The Ontario best-buddies hard rock duo are becoming the known from the unknown with their blistering slap-in-the-face boom that makes Royal Blood‘s new music work of Limbo sound like a pansy. Although dressed as the fashionable duo – similar to those as Royal Blood and the White Stripes – their music has a beautiful sense of youth, hostility and freshness that we’ve not really heard before.

Hoping to collate their work into a debut album this year – rather than the feral singles we’ve received so far – they’ve forewarned us not only to watch this space, but to start chipping away their mark within the rock halls of fame too, as they’ll soon be entering them.

Anarchic favourite hometown, explosive GOOD GRIEF, shrill-thriller of youth and doom-and-gloomy sanjake, top the bill of the band’s extent to writing future-cult classics – and we can only imagine there’s room for more.

Rock duo have known each other since they were 4.

More importantly, they have shown us they can’t just create quick-biters worthy of four minutes or so – but can create the dirty lingering types, too. Divining inspiration from the likes of Frank Carter & The Rattlesnakes, belly button blues is an instant favourite that tops the lot for me.

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My friends are wasted
And I don’t even care
I’m in my basement
Texting girls that aren’t even real
My youth is gone and I know it

_________________________

youth, cleopatrick

After hearing their most recent, THE DRAKE, which was released in early March this year, we can certainly expect their debut in the coming months – especially after picking up so much traction after their first EP via “14” in 2016.

Pulled straight from the archives of an old hometown gig they played, THE DRAKE‘s official video perfectly showcases the rampant display of their telling of a high-school bully story.

It’s all quiet in the cleopatrick camp for now … but we’ll hear the notorious thumps de thumps soon I’m sure.

Keep up to date with Cleopatrick HERE

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Let’s Talk: What’s your most treasured music memory?

Happy weekend, folks. With the first day of Spring finally upon us, I’d thought we’d all take a trip down to memory lane, and discuss our most treasured memories in the world of music.

Live or recording – what’s the best memory in music you hold? The one you hold dear – or simply just a fond tale of your past experience?

Let me know.

With me suffering hideously with hay fever today – so fittingly on the first day of Spring, too – let’s gloss over the fact that music and it’s beautiful moments won’t be til after Summer this year, and talk about what we miss about the most, and what we have loved along the way.

I’d have to say my most treasured music memory is witnessing the rock legends, Foo Fighters live at the National Bowl in Milton Keynes, UK. I remember as if it were yesterday – a year prior to when I was set to be whisked off to University in 2016, we spent one final piss-up with some lads from back home, paying a fitting tribute to Grohl and co, Royal Blood and naked-drunk music icon, Iggy Pop. Yet, this gig was simply one-of-a-kind, because we saw Grohl in a way that no one would ever see again.

After recovering from breaking his leg in Sweden earlier that year, Grohl was – rather fittingly – occupying a “rock throne,” marked up with guitar necks and luminous beauty. Despite not having the same energy and give Grohl would often given if he was his own two feet, it was still a sight to see – a moment that would be short-lived as he would recover just the year after.

Bellowing out rock classics amidst of crowd of thousands – with vivid detail of what those porta-loos looked like – whilst the sun in the shire of Buckingham settled down for the night, was and still is, one of those that will stay with me forever. It will stay with me too, especially since I saved the very ticket and wristband that got me into the gig in the first place.

Right, I think that’s me done. What about you lot?

Do let me know your most treasured moment of music in the comments below – I’d love to hear them!