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Let’s Talk: What was your favourite music from the 2010s?

After having a little time to myself after work, I decided to do a little insatiable digging and scouring into the past works and creations of what we saw in terms of music in the 2010s.

After an unwilling acceptance of enjoying chart music a little too much when I was younger, I thoroughly enjoyed the pump-it-loud electronica r’n’b music of Black Eyed Peas, bleary-eyed MIKA and eventually my evolution of indie music with Foster The People’s Pumped Up Kicks.

I always love venturing down a music wormhole of past pleasantries and gander into what my music tastes used to be like during my childhood.

And by God, how much has it changed. Now, I have no idea who enters the charts at one point during the week. It’s a world of unknown and now, a minimal disdain for all things popular music. Bleurgh.

What are your favourites of the 2010s?

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Lose Yourself to Dance: A Tribute to Daft Punk

As it nears the first initial anniversary since the French dance powerhouses announced their split this year in February, I thought it be good to have a glance back at their influential chaos on the world of dance music.

Simply put as house pioneers to the eclectic halls of dance floors, Daft Punk were by-and-large the greatest acts to emerge as tastemakers in the 2000s and established creditors of mainstream by the 2010s.

As chique and shiny as their exterior costumes, their catalogue is awash with fanciful dancefloor grooves that is fitting for any celebration playlist. From progressive house rock of Da Funk from 1997 debut of Homework to coming-of-age Discovery in 2001 with venturings of acid-techno, Harder, Better, Faster, Stronger to anthemic funk of Random Access Memories in 2013 which really put the duo on the map frontier. Undoubtedly Insant Crush and Get Lucky pushed the boundaries of mainstream dance-funk collaborations with Pharrell Williams and was their most successful release ever.

Random Access Memories reaped the rewards of scooping up 5 Grammys for Best Dance/Electronica Album and Album of the Year to name a few. The devilishly hook-and-sinker of Get Lucky caused a fetish heatwave to streak across the industry, having sold 4 million copies in the first quarter, in US alone.

After establishing themselves as the creditors to the business of dance, they finally hang their helmets after 28 years in the music industry. To both Guy-Manuel Homem Christo and Thomas Bangalter — many thanks for the (random access) memories. Every moment on the dance floor was worth remembering when your tracks were spinning.