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Adele ’30’: Album Review

After an excruciating wait …

the definitive voice of heartbreak returns.

That’s right. Adele is back. With the album portraying an emotive struggle as she stands at the ultimate cross-roads, the new sounds of Adele is fresh, immersive and simply brilliant. Becoming written gospel at this point, it’s classic Adele at its best.

There is certainly some elements in this album that may come as a surprise to some, however. With angelic triumph of Easy On Me acting somewhat of a red herring, it sees Adele branching out to new sounds. With the distorted magic of Cry Your Heart Out and the funk-edge of Can I Get It many may see it as tonic Adele-brilliance, while others may seem it as fusion confusion. The classic Adele-prowess we’ve all grown to love from the Tottenham singer is rawer here though, with these broader sounds coming to the frame. Where she may have been accused in the past for playing it safe, all genre inspirations are on show here. The bold and brash is ultimately bolstered more-so with its gospel and string arrangements that make it such a pleasure to listen to.

For me, it’s a fantastically fresh and superbly simple on making music. Turns out that yet again, all you need to make compelling music is a piano arrangement – accompanied with an astounding voice.

Although the album is being received with mixed results, I think it’s a great idea to switch up the scene and flip the excepted into something new. It shouldn’t be written in her career to always make Rolling In The Deep-etiquette. She was only 21 when she wrote that after all.

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NATIONAL ALBUM DAY 2021: Celebrating those music catalogues

Today (16th October) marked National Album Day, a celebration of those mystical, fantastical and downright beautiful albums that changed the course of history and the music industry as we know it.

Nevermind. Abbey Road. Pet Sounds. The Dark Side of the Moon. Back to Black. Let it Bleed. The Bends. Kind of Blue. Are You Experienced.

These are just a few genre-changing, mind-bending evolutions of music projects that were just far too ahead of their times.

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In celebration for National Album Day, what will YOU be listening to on repeat today in honour of?

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FUN FACT OF THE DAY:

[Just to further enhance my point about Adele being one of the greatest and most influential female artists at least of the decade from last nights’ discussion, as part of the National Album Day, BBC Radio 2 calculated the best-selling LPs released by female artists. Adele took the first and fifth slots, with 21 and 25 respectively. Amy Winehouse, Madonna and Shania Twain made up the rest of the top five.]

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What’s New: Your Friday Releases

So comes around another Friday, which inevitably means new music to sink our teeth into. Included, are two of the most popular musicians to surface from the industry. Let me know what upcoming project, pre-released single drops you are most excited for!

Have a gander at a few of the best picked out below:

  • Stylistic and sleek, brother of bigger sister Eilish, FINNEAS steps into the spotlight with his imperious new debut, Optimist.
  • ADELE returns to music for the first time in 6 years with her new single, Easy on Me. With a tempting new album on the horizon in November, this song has been sat on and questioned since 2019. It’s finally here – and what better way for Adele to embark on her final journey.
  • COLDPLAY brave the cold with an October release, Music of the Spheres. Imploring the narration of sustainability to ensure the future of our Universe – with a self-sourced tour to boot – their ninth studio album has an undeniably atmospheric impact.
  • Two of my faves, both THE WOMBATS and DON BROCO give us a Friday feeling with more preemptive single releases before their scheduled albums drop. A seemingly good partnership between the two, both Endorphins and Ready for the High are rife-and-ready singles – which put in a good word for the albums to do the same.